New York City, 2004. Shortly after New York City rocker Tommy Peterson of The Winding Roads accepts an award at the Rock and Roll Hall of Fame gala at The Waldorf-Astoria, the guitar legend is found brutally murdered the next day inside his recording studio apartment in the West Village. Nothing is taken but the way in which Peterson was murdered raises questions as to what the killer's motives were. Veteran rock journalist Tony Russo is devastated after hearing the tragic news of his friend of thirty years. But after NYPD detective and rock fan Caitlin O'Connell discovers Russo was Peterson's…mehr
New York City, 2004. Shortly after New York City rocker Tommy Peterson of The Winding Roads accepts an award at the Rock and Roll Hall of Fame gala at The Waldorf-Astoria, the guitar legend is found brutally murdered the next day inside his recording studio apartment in the West Village. Nothing is taken but the way in which Peterson was murdered raises questions as to what the killer's motives were. Veteran rock journalist Tony Russo is devastated after hearing the tragic news of his friend of thirty years. But after NYPD detective and rock fan Caitlin O'Connell discovers Russo was Peterson's 'ghost writer' for his autobiography, O'Connell asks the experienced rock and roll expert to help the police with their case. With rock music and an endless list of suspects as their common bonds, the unlikely duo team up in The City That Never Sleeps to find out who murdered this American rock and roll legend and bring his killer to justice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Sullivan was an American College Theatre Festival Playwriting finalist, received the 'Jack Kerouac Literary Prize,' 'Writers Voice: New Voices of the West' Award, AZ Arts Fellowships (Poetry & Playwriting), Artists Studio Center Fellowship, WESTAF Fellowship, was a featured playwright at Denver's Changing Scene Summer Play, and an Eco-Arts Performance Fellow from Earth Matters On Stage (University of Oregon). He was Artistic / Producing Director of Theater Degree Zero, collaborated with the Bi-National Theatre Project (Instituto Tecnológico de Nogales-Sonora, Mexico / Cochise College, Douglas AZ) and directed the Augusto Boal / Theatre of the Oppressed focused applied theatre wing at Seattle Public Theater. For the past decade, he has used Theatre of the Oppressed with vulnerable communities to promote dialogue on toxic exposures-cumulative risk / environmental justice issues with NIEHS environmental health scientists. He was a writer for the online journal, Community Arts Network / Art in the Public Interest and has published articles on Community-Based Participatory Research in scientific journals such as New Solutions, Environmental Health Insights and Local Environment: the International Journal of Justice & Sustainability.
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