This book investigates the relation of rock and roll to social protest music and authenticity. It examines the nature and commercial origins of rock and roll, why rock and roll was frequently considered subversive, and the nature and significance of authenticity to rock and roll as social protest music.
This book investigates the relation of rock and roll to social protest music and authenticity. It examines the nature and commercial origins of rock and roll, why rock and roll was frequently considered subversive, and the nature and significance of authenticity to rock and roll as social protest music.
Produktdetails
Produktdetails
For the Record: Lexington Studies in Rock and Popular Music
Introduction: "But the Man Can't Bust Our Music" (Columbia Records Print Ad, 1968) Chapter 1: The Nature and Origins of Rock and Roll Chapter 2: The Influence of Records Chapter 3: The Nature and Influence of Commercial Radio Chapter 4: Copyright, ASCAP, BMI, and Payola Chapter 5: The Folk "Revival" Chapter 6: Rock and Roll as Social Protest Chapter 7: Authenticity and Social Protest Chapter 8: Conclusion References
Introduction: "But the Man Can't Bust Our Music" (Columbia Records Print Ad, 1968) Chapter 1: The Nature and Origins of Rock and Roll Chapter 2: The Influence of Records Chapter 3: The Nature and Influence of Commercial Radio Chapter 4: Copyright, ASCAP, BMI, and Payola Chapter 5: The Folk "Revival" Chapter 6: Rock and Roll as Social Protest Chapter 7: Authenticity and Social Protest Chapter 8: Conclusion References
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