Silvia Bermúdez’s fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.
Silvia Bermúdez’s fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.
List of Illustrations Acknowledgements Permissions Introduction 1. The Roaring 1980s: From La Movida to Racial Naming, Slavery, and Muslims in the Catalan Maresme 2. The 1990s, Take One: Fortress Europe, Racism, Apologies, and Contestation 3. The 1990s, Take Two: The Racial Profiling of Black and Maghrebi Migrant Subject 4. Twenty-First Century Musical Landscapes in Spain: From Ska and Música mestiza to Singing, Chilling and Rapping against Racism Conclusion Notes Bibliography Index
List of Illustrations Acknowledgements Permissions Introduction 1. The Roaring 1980s: From La Movida to Racial Naming, Slavery, and Muslims in the Catalan Maresme 2. The 1990s, Take One: Fortress Europe, Racism, Apologies, and Contestation 3. The 1990s, Take Two: The Racial Profiling of Black and Maghrebi Migrant Subject 4. Twenty-First Century Musical Landscapes in Spain: From Ska and Música mestiza to Singing, Chilling and Rapping against Racism Conclusion Notes Bibliography Index
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