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For a long time, Roman art was some what overshadowed by the art of ancient Greece. It was only in about 1900 that a search began for ancient Roman art and architecture. The foundations of Roman imagery were laid in the early days of the Empire under Emperor Augustus. The imperial court and the imperial family were role models for artistic style, taste and fashion - trendsetters, so to speak, which imperial society was obliged to follow. It was at court that the "new" took shape, pieced together from the vocabulary of Greek originals, copies and imitations as well as new creations, but…mehr

Produktbeschreibung
For a long time, Roman art was some what overshadowed by the art of ancient Greece. It was only in about 1900 that a search began for ancient Roman art and architecture. The foundations of Roman imagery were laid in the early days of the Empire under Emperor Augustus. The imperial court and the imperial family were role models for artistic style, taste and fashion - trendsetters, so to speak, which imperial society was obliged to follow. It was at court that the "new" took shape, pieced together from the vocabulary of Greek originals, copies and imitations as well as new creations, but fulfilling entirely new functions and expressing new meanings. The portrait of the ruler and the so-called state reliefs, which enhanced and embroidered real events, by depicting gods for example, had a particular influence in the shaping of the imagery. Using classical stylistic means, Roman art was able to fulfill all the desires and ideas of its patrons for more than two centuries.
Autorenporträt
Michael Siebler, geboren 1956, Studium der Klassischen Archäologie. Grabungsteilnahme u. a. in Troia und Olympia. Nach Promotion zunächst tätig am Deutschen Archäologischen Institut in Damaskus, danach wissenschaftlicher Mitarbeiter am Institut für Klassische Archäologie der Universität Mainz. Langjährig Redakteur im Feuilleton der FAZ. Fachpublikationen.