This study - the first of its kind - situates Rohinton Mistry's writing in its cultural and historical context. It explores key features, such as the legacy of Zoroastrianism, Parsi anglophilia, recent Indian history, and the Persian and European narrative traditions on which Mistry draws to produce his distinctive postcolonial fictions.
This study - the first of its kind - situates Rohinton Mistry's writing in its cultural and historical context. It explores key features, such as the legacy of Zoroastrianism, Parsi anglophilia, recent Indian history, and the Persian and European narrative traditions on which Mistry draws to produce his distinctive postcolonial fictions.
Peter Morey is Senior Lecturer in Literature in the School of Cultural and Innovation Studies at the University of East London
Inhaltsangabe
Acknowledgements Series Editor's Foreword List of Abbreviations Chronology 1. Contexts and intertexts 2. 'Throbbing between two lives': The structures of migration in Tales from Firozsha Baag 3. Mistry's hollow men: Language, lies and the crisis of representation in Such a Long Journey 4. Thread and circuses: Performing in the spaces of city and nation in A Fine Balance 5. Running repairs: Corruption, community and duty in Family Matters 6. Critical overview 7. Conclusion - Rohinton Mistry: International man of stories Notes Select Bibliography Index
Acknowledgements Series Editor's Foreword List of Abbreviations Chronology 1. Contexts and intertexts 2. 'Throbbing between two lives': The structures of migration in Tales from Firozsha Baag 3. Mistry's hollow men: Language, lies and the crisis of representation in Such a Long Journey 4. Thread and circuses: Performing in the spaces of city and nation in A Fine Balance 5. Running repairs: Corruption, community and duty in Family Matters 6. Critical overview 7. Conclusion - Rohinton Mistry: International man of stories Notes Select Bibliography Index
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