Andere Kunden interessierten sich auch für
![Asiatic Breezes]( "Asiatic Breezes")
Asiatic Breezes25,99 €![A Short History of Todmorden; With Some Account of the Geology and Natural History of the Neighbourhood]( "A Short History of Todmorden; With Some Account of the Geology and Natural History of the Neighbourhood")
A Short History of Todmorden; With Some Account of the Geology and Natural History of the Neighbourhood25,99 €![Zoroastrians in Early Islamic History]( "Zoroastrians in Early Islamic History")
Zoroastrians in Early Islamic History125,99 €![Under a Venice Moon]( "Under a Venice Moon")
Under a Venice Moon25,99 €![Kay'S Edinburgh Portraits]( "Kay'S Edinburgh Portraits")
Kay'S Edinburgh Portraits24,99 €![The Cambridge Handbook of Substance and Behavioral Addictions]( "The Cambridge Handbook of Substance and Behavioral Addictions")
The Cambridge Handbook of Substance and Behavioral Addictions181,99 €![Pippi Longstocking, by Astrid Lindgren Lit Link Grades 4-6]( "Pippi Longstocking, by Astrid Lindgren Lit Link Grades 4-6")
Pippi Longstocking, by Astrid Lindgren Lit Link Grades 4-612,99 €
The present study is an effort to trace aspects of Modernity in the work of a 19th century great Greek writer, Emmanuíl Roidis. The main aim of the study was to trace the aspects of Modernity through the theoretical studies by J. Habermas and W. Benjamin. In a twofold approach of Modernity theory, we first trace Roidis' dialogue with Hegeleian philosophy and then Baudelaire's theory of modernity. If, according to Baudelaire, modernity is the combination of the eternal and the ephemeral, for Roidis it is the continuous shifting between the ideal and the "prosaicity" of everyday life, the "golden ratio" or the harmonious coexistence, not the "aurea mediocritas". Roidis chooses prose fiction, using consciously parody and metafictional techniques. Another tool for achieving this is, according to Roidis, a playful satirical attitude of the artist, differing thus somehow from Baudelaire. In the first part the philosophical (Hegeleian) background of Roidis' texts is traced. In the second part we trace motifs and ideological aspects in Roidis' work, compared to the Baudelaireian ones, as W. Benjamin spots them in his famous study on the French poet: industrialization of art, flaneur etc.