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This book, first published in 2003, focuses on art works created in the provinces of the Roman Empire.
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This book, first published in 2003, focuses on art works created in the provinces of the Roman Empire.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 274
- Erscheinungstermin: 1. Juli 2003
- Englisch
- Abmessung: 250mm x 175mm x 19mm
- Gewicht: 657g
- ISBN-13: 9780521805926
- ISBN-10: 0521805929
- Artikelnr.: 25087034
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 274
- Erscheinungstermin: 1. Juli 2003
- Englisch
- Abmessung: 250mm x 175mm x 19mm
- Gewicht: 657g
- ISBN-13: 9780521805926
- ISBN-10: 0521805929
- Artikelnr.: 25087034
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Sarah Scott was born the youngest of nine children in North Yorkshire but spent most of her childhood on her mother's estate in Kent. When she was young, Scott caught small pox and was left severely disfigured by the scarring. She hid herself in books until she eventually married her husband, George Lewis Scott, only to scandalously flee his home some months later. There has been much speculation as to why the couple separated, rumours spread about domestic abuse to an illicit affair between Sarah and her best friend, Lady Barbara Montagu. Destitute and belonging to no man, Sarah and Lady Barbara settled in Bath where they lived and volunteered to help the poor. In 1762, Sarah published her most successful novel Millenium Hall. Sarah lived humbly until 1795.
Introduction: 1. Provincial art and Roman imperialism: an overview Sarah
Scott; Part I. Conceptualizing Provincial Art: 2. Art, Romanization and
competence Catherine Johns; 3. Art as resistance and negotiation Jane
Webster; Part II. Metropolitan Art and the Depiction of Rome's 'Others': 4.
'The hanged men dance': Barbarians in Trajanic art Iain Ferris; 5. Female
representation in Roman art: feminizing the provincial 'Other' René
Rodgers; Part III. Art in the Roman West: 6. Poles apart?: Perceptions of
gender in Gaulish and British cult-imagery Miranda Aldhouse Green; 7. 'The
Captains and the Kings depart' Martin Henig; 8. Seeing Apollo in Roman Gaul
and Germany Greg Woolf; Part IV. Art in Roman North Africa: 9. Family
values? Art and power at Ghirza, Tripolitania David Matingly; Part V. Art
in the Roman East: 10. The houses of Antioch: a study of the domestic
sphere in the imperial Near East Shelley Hales; 11. Art and identity in
Asia Minor Zahra Newby; Epilogue: 12. Art and aesthetics: a personal view
Martin Henig.
Scott; Part I. Conceptualizing Provincial Art: 2. Art, Romanization and
competence Catherine Johns; 3. Art as resistance and negotiation Jane
Webster; Part II. Metropolitan Art and the Depiction of Rome's 'Others': 4.
'The hanged men dance': Barbarians in Trajanic art Iain Ferris; 5. Female
representation in Roman art: feminizing the provincial 'Other' René
Rodgers; Part III. Art in the Roman West: 6. Poles apart?: Perceptions of
gender in Gaulish and British cult-imagery Miranda Aldhouse Green; 7. 'The
Captains and the Kings depart' Martin Henig; 8. Seeing Apollo in Roman Gaul
and Germany Greg Woolf; Part IV. Art in Roman North Africa: 9. Family
values? Art and power at Ghirza, Tripolitania David Matingly; Part V. Art
in the Roman East: 10. The houses of Antioch: a study of the domestic
sphere in the imperial Near East Shelley Hales; 11. Art and identity in
Asia Minor Zahra Newby; Epilogue: 12. Art and aesthetics: a personal view
Martin Henig.
Introduction: 1. Provincial art and Roman imperialism: an overview Sarah
Scott; Part I. Conceptualizing Provincial Art: 2. Art, Romanization and
competence Catherine Johns; 3. Art as resistance and negotiation Jane
Webster; Part II. Metropolitan Art and the Depiction of Rome's 'Others': 4.
'The hanged men dance': Barbarians in Trajanic art Iain Ferris; 5. Female
representation in Roman art: feminizing the provincial 'Other' René
Rodgers; Part III. Art in the Roman West: 6. Poles apart?: Perceptions of
gender in Gaulish and British cult-imagery Miranda Aldhouse Green; 7. 'The
Captains and the Kings depart' Martin Henig; 8. Seeing Apollo in Roman Gaul
and Germany Greg Woolf; Part IV. Art in Roman North Africa: 9. Family
values? Art and power at Ghirza, Tripolitania David Matingly; Part V. Art
in the Roman East: 10. The houses of Antioch: a study of the domestic
sphere in the imperial Near East Shelley Hales; 11. Art and identity in
Asia Minor Zahra Newby; Epilogue: 12. Art and aesthetics: a personal view
Martin Henig.
Scott; Part I. Conceptualizing Provincial Art: 2. Art, Romanization and
competence Catherine Johns; 3. Art as resistance and negotiation Jane
Webster; Part II. Metropolitan Art and the Depiction of Rome's 'Others': 4.
'The hanged men dance': Barbarians in Trajanic art Iain Ferris; 5. Female
representation in Roman art: feminizing the provincial 'Other' René
Rodgers; Part III. Art in the Roman West: 6. Poles apart?: Perceptions of
gender in Gaulish and British cult-imagery Miranda Aldhouse Green; 7. 'The
Captains and the Kings depart' Martin Henig; 8. Seeing Apollo in Roman Gaul
and Germany Greg Woolf; Part IV. Art in Roman North Africa: 9. Family
values? Art and power at Ghirza, Tripolitania David Matingly; Part V. Art
in the Roman East: 10. The houses of Antioch: a study of the domestic
sphere in the imperial Near East Shelley Hales; 11. Art and identity in
Asia Minor Zahra Newby; Epilogue: 12. Art and aesthetics: a personal view
Martin Henig.