This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory.…mehr
This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works. Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
Leszek Sosnowski is Full Professor at Jagiellonian University in Kraków, Poland. Natalia Anna Michna is Assistant Professor at Jagiellonian University in Kraków, Poland.
Inhaltsangabe
Introduction Roman Ingarden: The Life of a Philosophical Work Natalia Anna Michna (Jagiellonian University Poland) and Leszek Sosnowski (Jagiellonian University Poland) Part I: Ontology 1. Modes and Moments in Ingarden's Ontology Peter Simons (Trinity College Dublin Ireland) 2. Logical Modalities Existential Moments and Modes of Being: Some Reflections on Ingarden's Existential Ontology Jan Wolenski (Jagiellonian University Poland) 3. Questions Concerning Reality: Ingarden's Erotetic Path Towards Realism Giuditta Corbella (Università Cattolica del Sacro Cuore Italy) 4. 'Sound and/or tones? Scruton Ingarden (. and Levinson) on musical aesthetics and ontology' Edward M. Swiderski (University of Fribourg Switzerland) Part II: Aesthetics 5. Lipps Stein and Ingarden on Empathy and the Coexperiencing of Value in the Aesthetic Experience Jeff Mitscherling (University of Guelph Canada) 6. 8-Bit Mystique: An Ingardenian Aesthetic Analysis of the Appeal of Retro Computer Games Matthew Gladden (Polish Academy of Sciences Poland) 7. Roman Ingarden on Aesthetic Attention Harri Mäcklin (University of Helsinki Finland) 8. Time and its Indeterminacy in the Literary Work of Art Charlene Elsby (University of Ottawa Canada) Notes on Contributors Index
Introduction Roman Ingarden: The Life of a Philosophical Work Natalia Anna Michna (Jagiellonian University Poland) and Leszek Sosnowski (Jagiellonian University Poland) Part I: Ontology 1. Modes and Moments in Ingarden's Ontology Peter Simons (Trinity College Dublin Ireland) 2. Logical Modalities Existential Moments and Modes of Being: Some Reflections on Ingarden's Existential Ontology Jan Wolenski (Jagiellonian University Poland) 3. Questions Concerning Reality: Ingarden's Erotetic Path Towards Realism Giuditta Corbella (Università Cattolica del Sacro Cuore Italy) 4. 'Sound and/or tones? Scruton Ingarden (. and Levinson) on musical aesthetics and ontology' Edward M. Swiderski (University of Fribourg Switzerland) Part II: Aesthetics 5. Lipps Stein and Ingarden on Empathy and the Coexperiencing of Value in the Aesthetic Experience Jeff Mitscherling (University of Guelph Canada) 6. 8-Bit Mystique: An Ingardenian Aesthetic Analysis of the Appeal of Retro Computer Games Matthew Gladden (Polish Academy of Sciences Poland) 7. Roman Ingarden on Aesthetic Attention Harri Mäcklin (University of Helsinki Finland) 8. Time and its Indeterminacy in the Literary Work of Art Charlene Elsby (University of Ottawa Canada) Notes on Contributors Index
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