1. Introduction: surveying the scene 2. Landscape and aesthetics 3. Those happy fields: aborious landscapes and DIY self-help 4. Landscape: time and motion 5. Italy and the villa estate, or, of cabbages and kings 5.1. Philosophical landscapes: Cicero, loca, and imagines 5.2. Varro's exopolis: landscape and Italy 5.3. Columella: landscape and the body of history 5.4. Statius, landscape, and autarky: between authenticity and delight 5.5. Ekphrasis: Pliny's artful landscapes 6. Spaces and Places 6.1. Landscape as background and foreground 6.2. Landscape and scale: gardens 6.3. Imagined landscapes: the Villa 'Farnesina' 6.4. Total immersion: Livia's garden room (Villa ad Gallinas Albas, Prima Porta) 6.5. Landscapes encircling the city: the Horti Sallustiani and Porticus of Pompey Envoi. Getting (away from) it all at Hadrian's villa Bibliography Webography.
1. Introduction: surveying the scene 2. Landscape and aesthetics 3. Those happy fields: aborious landscapes and DIY self-help 4. Landscape: time and motion 5. Italy and the villa estate, or, of cabbages and kings 5.1. Philosophical landscapes: Cicero, loca, and imagines 5.2. Varro's exopolis: landscape and Italy 5.3. Columella: landscape and the body of history 5.4. Statius, landscape, and autarky: between authenticity and delight 5.5. Ekphrasis: Pliny's artful landscapes 6. Spaces and Places 6.1. Landscape as background and foreground 6.2. Landscape and scale: gardens 6.3. Imagined landscapes: the Villa 'Farnesina' 6.4. Total immersion: Livia's garden room (Villa ad Gallinas Albas, Prima Porta) 6.5. Landscapes encircling the city: the Horti Sallustiani and Porticus of Pompey Envoi. Getting (away from) it all at Hadrian's villa Bibliography Webography.
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