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Identifies and explores Roman modes of poetry as received by twentieth- and twenty-first-century Anglo-American, German, and French poets.
Preface Introduction: The Roman Mode PART I. AUGUSTAN ECHOES 1. Virgil's Eclogues Gide Valéry Frost MacNeice Tate Hecht Longley Heaney 2. Uses and Abuses of Horace Owen Brecht Pound Schroeder Borchardt Müller Lange Mickel Krolow Eich Deppert Meckel Frost Tate Connolly Durrell Noyes Leishman Michie Bunting Sisson Auden Lowell Fagles Wright Pinsky Elliott Davie Hecht McClatchy Hall Brodsky Bullard PART II. REPUBLICAN COUNTERPOINTS 3. Lucretius: Poet or Scientist? Marx Einstein Brecht Mann Handke Grünbein Schrott 4. Catullus: Poet or Lover? Stevens Baxter Sisson Ginsberg McAfee Budenz Holland Wilder Hardy Benton Saylor Dixon DeMaria Jaro Dunmore Grünbein Schrott Kling Hartz 5. Propertius and the Outsiders Pound Benda Vagni Schrott PART III. IMPERIAL DISSONANCES 6. Ovidian Waves Pound Joyce Mandelstam Eliot Rilke Horia Fischer Von Naso Ebersbach Lange Malouf Walcott Calvino Kristeva Desiato Mincu Lewin Ransmayr Nooteboom Norfolk Tabucchi Tawada Zimmerman 7. Seneca: Poet or Philosopher? Gressieker Hiebel Lowenstein Grass Hacks Müller Grünbein 8. Juvenal Delinquents from Lowell to Grünbein Lowell Auden Ansen Gilson Grünbein Conclusion: Why Roman Poets? Index