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This volume brings together three of Herman Melville's early works, often referred to as his "South Seas" romances. Typee (1846) is a semi-autobiographical account of Melville's experiences living among the native peoples of the Marquesas Islands, exploring themes of civilization and savagery. Omoo (1847), a sequel to Typee, continues Melville's Pacific adventures as he deserts a whaling ship and finds himself involved with mutineers and missionaries in Tahiti. Mardi (1849) shifts into allegorical fiction, moving beyond realism into a philosophical exploration of politics, religion, and human nature.…mehr

Produktbeschreibung
This volume brings together three of Herman Melville's early works, often referred to as his "South Seas" romances. Typee (1846) is a semi-autobiographical account of Melville's experiences living among the native peoples of the Marquesas Islands, exploring themes of civilization and savagery. Omoo (1847), a sequel to Typee, continues Melville's Pacific adventures as he deserts a whaling ship and finds himself involved with mutineers and missionaries in Tahiti. Mardi (1849) shifts into allegorical fiction, moving beyond realism into a philosophical exploration of politics, religion, and human nature.
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Autorenporträt
Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer and poet of the American Renaissance period. Among his best-known works are Moby-Dick (1851), Typee (1846), a romanticized account of his experiences in Polynesia, and Billy Budd, Sailor, a posthumously published novella. Although his reputation was not high at the time of his death, the centennial of his birth in 1919 was the starting point of a Melville revival and Moby-Dick grew to be considered one of the great American novels. Melville was born in New York City, the third child of a prosperous merchant whose death in 1832 left the family in financial straits. He took to sea in 1839 as a common sailor on a merchant ship and then on the whaler Acushnet but he jumped ship in the Marquesas Islands. Typee, his first book, and its sequel, Omoo (1847) were travel-adventures based on his encounters with the peoples of the island. Their success gave him the financial security to marry Elizabeth Shaw, the daughter of a prominent Boston family. Mardi (1849), a romance-adventure and his first book not based on his own experience, was not well received. Redburn (1849) and White Jacket (1850), both tales based on his experience as a well-born young man at sea, were given respectable reviews but did not sell well enough to support his expanding family. Melville's growing literary ambition showed in Moby-Dick (1851), which took nearly a year and a half to write. But it did not find an audience and critics scorned his psychological novel, Pierre: or, The Ambiguities (1852). From 1853 to 1856, Melville published short fiction in magazines, including "Benito Cereno" and "Bartleby, the Scrivener". In 1857, he traveled to England, toured the Near East, and published his last work of prose, The Confidence-Man (1857). He moved to New York in 1863 to take a position as Customs Inspector. From that point, Melville focused his creative powers on poetry. Battle-Pieces and Aspects of the War (1866) was his poetic reflection on the moral questions of the American Civil War. In 1867, his eldest child Malcolm died at home from a self-inflicted gunshot. Melville's metaphysical epic Clarel: A Poem and Pilgrimage in the Holy Land was published in 1876. In 1886, his other son Stanwix died of apparent tuberculosis, and Melville retired. During his last years, he privately published two volumes of poetry, and left one volume unpublished. The novella Billy Budd was left unfinished at his death but was published posthumously in 1924. Melville died from cardiovascular disease in 1891.
Rezensionen

Frankfurter Allgemeine Zeitung - Rezension
Frankfurter Allgemeine Zeitung | Besprechung von 07.09.2019

Peeping Tom
Herman Melvilles "Typee"

Das Buch trug keine gängige Gattungsbezeichnung, und genau diese Uneindeutigkeit machte 1846 seinen Erfolg aus: In "Typee" erzählte der junge Debütant Herman Melville von seinen Reisen als Seemann und vor allem von einigen Monaten in einem abgeschiedenen Inseltal als entlaufener Matrose, der Unterschlupf bei einem gastfreundlichen Südsee-Stamm fand, der noch nicht intensiv mit Fremden in Kontakt gekommen war. So weit, so nahe an Melvilles eigenen Erlebnissen. Ob es aber sexuell tatsächlich so freizügig bei den Typee (der Name des Stammes) zugegangen ist, wie im Buch vom Ich-Erzähler Tom berichtet, kann mangels anderer Berichte Melvilles nicht mehr rekonstruiert werden. Seine Erzählung traf jedenfalls genau den Nerv im prüden England des frühen Viktorianischen Zeitalters und dem noch prüderen Amerika. Und der Untertitel tat das Seine dazu: "A Peep at Polynesian Life".

Warum Alexander Pechmann in seiner Neuübersetzung darauf verzichtet hat, den "Schlüssellochblick", was wohl die gängige deutsche Entsprechung für peep gewesen wäre, entfallen zu lassen und das Buch nun ganz ohne Gattung auf die Leser loszulassen, erläutert er leider nicht in seinem umfangreichen Nachwort. Dafür liest sich diese insgesamt vierte deutsche Übertragung von Melvilles zu Lebzeiten mit Abstand erfolgreichstem Buch sehr gut, weil Pechmann den Erzählton des neunzehnten Jahrhunderts auch ohne Archaismen trifft - wer "Vorkehrungen" statt "Vorbereitungen" sagt, ist diesbezüglich auf dem richtigen Weg. Hoffentlich wird er auch noch "Omoo" übertragen, die Fortsetzung zu "Typee" mit weiteren Abenteuern von Peeping Tom.

apl.

Herman Melville: "Typee".

Hrsg. und aus dem Amerikanischen von Alexander Pechmann. Mare Verlag, Hamburg 2019. 447 S., geb. im Schuber, 38,- [Euro].

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