Studying works by William Blake, Walter Scott, and Jane Austen, this volume examines the extent to which Romantic literary works can be said to prefigure the ways in which readers will engage with them after the time of their creation.
Studying works by William Blake, Walter Scott, and Jane Austen, this volume examines the extent to which Romantic literary works can be said to prefigure the ways in which readers will engage with them after the time of their creation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mike Goode is Associate Professor of English at Syracuse University, where he researches and teaches on eighteenth- and nineteenth-century British literature and culture, media studies, visual culture, gender, historiography, and critical theory. He received his bachelor's degree in Economics from Princeton University in 1993 and his Ph.D. in English from the University of Chicago in 2001.
Inhaltsangabe
Introduction: Media Behaviors 1: Media Behaviors; or the New Messages of Old Media Part I: Viral Blake 2: Blakespotting 3: The Joy of Looking: What William Blake's Pictures Want Part II: Immersive Scott 4: History in Three Dimensions: Panorama, Stereoscopy, and Walter Scott's Novel Perspective Part III: Virtual Austen 5: Letters from Austenland: The Designs of Fanfiction 6: Capability Jane: The Ecological Designs of Austenian Realism Epilogue: As the Plow Follows Words
Introduction: Media Behaviors 1: Media Behaviors; or the New Messages of Old Media Part I: Viral Blake 2: Blakespotting 3: The Joy of Looking: What William Blake's Pictures Want Part II: Immersive Scott 4: History in Three Dimensions: Panorama, Stereoscopy, and Walter Scott's Novel Perspective Part III: Virtual Austen 5: Letters from Austenland: The Designs of Fanfiction 6: Capability Jane: The Ecological Designs of Austenian Realism Epilogue: As the Plow Follows Words
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