C. Bode: Voice, Text, Mediality - Romantic Self-PositioningA. Esterhammer: Romantic Voices, Romantic CursesA. Harding: Rehabilitating Romantic Poetic VoiceM. Class: Self-consciousness in Wordsworth's The PreludeJ. Gurr: Conflicting Evaluations of Sense Perceptions in The PreludeC. Reinfandt: World and VoiceK. Merten: Plays on the Essential Passions of MenUte Berns: The Politics of RevolutionH. Grundmann: Coleridge's Teleology of LanguageM. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13S. Allan: Ghostly VoicesR. Karl: The Powers of Metaphor and Self-DivestmentM. Bruhn:…mehr
C. Bode: Voice, Text, Mediality - Romantic Self-PositioningA. Esterhammer: Romantic Voices, Romantic CursesA. Harding: Rehabilitating Romantic Poetic VoiceM. Class: Self-consciousness in Wordsworth's The PreludeJ. Gurr: Conflicting Evaluations of Sense Perceptions in The PreludeC. Reinfandt: World and VoiceK. Merten: Plays on the Essential Passions of MenUte Berns: The Politics of RevolutionH. Grundmann: Coleridge's Teleology of LanguageM. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13S. Allan: Ghostly VoicesR. Karl: The Powers of Metaphor and Self-DivestmentM. Bruhn: Keats's Wretched TasteN. Lennartz: Apocalyptic VoicesN. Oueijan: Echoes from the Orient in Romantic VisionsN. Roe: Leigh Hunt's JuveniliaM. O'Neill: Romantic Poetry and Some Twentieth-Century Heirs
Katharina Rennhak ist Wissenschaftliche Assistentin am Institut für Englische Philologie der LMU München.
Inhaltsangabe
C. Bode: Voice, Text, Mediality - Romantic Self-Positioning - A. Esterhammer: Romantic Voices, Romantic Curses - A. Harding: Rehabilitating Romantic Poetic Voice - M. Class: Self-consciousness in Wordsworth's The Prelude - J. Gurr: Conflicting Evaluations of Sense Perceptions in The Prelude - C. Reinfandt: World and Voice - K. Merten: Plays on the Essential Passions of Men - Ute Berns: The Politics of Revolution - H. Grundmann: Coleridge's Teleology of Language - M. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13 - S. Allan: Ghostly Voices - R. Karl: The Powers of Metaphor and Self-Divestment - M. Bruhn: Keats's Wretched Taste - N. Lennartz: Apocalyptic Voices - N. Oueijan: Echoes from the Orient in Romantic Visions - N. Roe: Leigh Hunt's Juvenilia - M. O'Neill: Romantic Poetry and Some Twentieth-Century Heir
C. Bode: Voice, Text, Mediality - Romantic Self-Positioning - A. Esterhammer: Romantic Voices, Romantic Curses - A. Harding: Rehabilitating Romantic Poetic Voice - M. Class: Self-consciousness in Wordsworth's The Prelude - J. Gurr: Conflicting Evaluations of Sense Perceptions in The Prelude - C. Reinfandt: World and Voice - K. Merten: Plays on the Essential Passions of Men - Ute Berns: The Politics of Revolution - H. Grundmann: Coleridge's Teleology of Language - M. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13 - S. Allan: Ghostly Voices - R. Karl: The Powers of Metaphor and Self-Divestment - M. Bruhn: Keats's Wretched Taste - N. Lennartz: Apocalyptic Voices - N. Oueijan: Echoes from the Orient in Romantic Visions - N. Roe: Leigh Hunt's Juvenilia - M. O'Neill: Romantic Poetry and Some Twentieth-Century Heir
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