This interdisciplinary collection of essays examines the construction and contestation of popular culture in the late eighteenth and early nineteenth centuries, with a particular emphasis on the world of polite arts and letters that would later come to be identified with British Romanticism.
This interdisciplinary collection of essays examines the construction and contestation of popular culture in the late eighteenth and early nineteenth centuries, with a particular emphasis on the world of polite arts and letters that would later come to be identified with British Romanticism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part I. Introduction: 1. What is the people? Philip Connell and Nigel Leask; Part II. Ballad Poetry and Popular Song: 2. 'A degrading species of Alchymy': ballad poetics, oral tradition and the meanings of popular culture Nigel Leask; 3. Refiguring the popular in Charlotte Brooke's Reliques of Irish Poetry Leith Davis; 4. 'An individual flowering on a common stem': melody, performance and national song Kirsteen McCue; Part III. Politics and the People: 5. Rus in Urbe John Barrell; 6. The 'sinking down' of Jacobinism and the rise of the counter-revolutionary man of letters Kevin Gilmartin; 7. Shelley's Mask of Anarchy and the visual iconography of female distress Ian Haywood; Part IV. The Urban Experience: 8. Popularizing the public: Robert Chambers and the rewriting of the antiquarian city Ina Ferris; 9. Keats, popular culture and the sociability of theatre Gillian Russell; 10. A world within walls: Haydon, The Mock Election and debtors' prisons Greg Dart; Part V. Canon-Formation and the Common Reader: 11. Every-day poetry: William Hone, popular antiquarianism, and the literary anthology Mina Gorji; 12. How to popularize Wordsworth Philip Connell.
Part I. Introduction: 1. What is the people? Philip Connell and Nigel Leask; Part II. Ballad Poetry and Popular Song: 2. 'A degrading species of Alchymy': ballad poetics, oral tradition and the meanings of popular culture Nigel Leask; 3. Refiguring the popular in Charlotte Brooke's Reliques of Irish Poetry Leith Davis; 4. 'An individual flowering on a common stem': melody, performance and national song Kirsteen McCue; Part III. Politics and the People: 5. Rus in Urbe John Barrell; 6. The 'sinking down' of Jacobinism and the rise of the counter-revolutionary man of letters Kevin Gilmartin; 7. Shelley's Mask of Anarchy and the visual iconography of female distress Ian Haywood; Part IV. The Urban Experience: 8. Popularizing the public: Robert Chambers and the rewriting of the antiquarian city Ina Ferris; 9. Keats, popular culture and the sociability of theatre Gillian Russell; 10. A world within walls: Haydon, The Mock Election and debtors' prisons Greg Dart; Part V. Canon-Formation and the Common Reader: 11. Every-day poetry: William Hone, popular antiquarianism, and the literary anthology Mina Gorji; 12. How to popularize Wordsworth Philip Connell.
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