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This interdisciplinary project is situated at the boundary between literary studies and philosophy. Its chief focus is on American Romanticism and it examines work by a number of prominent writers and philosophers, from Whitman and Thoreau to Barthes and Rorty.
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This interdisciplinary project is situated at the boundary between literary studies and philosophy. Its chief focus is on American Romanticism and it examines work by a number of prominent writers and philosophers, from Whitman and Thoreau to Barthes and Rorty.
Produktdetails
- Produktdetails
- Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-137-47418-6
- 2015
- Seitenzahl: 251
- Erscheinungstermin: 25. Februar 2015
- Englisch
- Abmessung: 216mm x 140mm x 16mm
- Gewicht: 450g
- ISBN-13: 9781137474186
- ISBN-10: 1137474181
- Artikelnr.: 41414974
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-137-47418-6
- 2015
- Seitenzahl: 251
- Erscheinungstermin: 25. Februar 2015
- Englisch
- Abmessung: 216mm x 140mm x 16mm
- Gewicht: 450g
- ISBN-13: 9781137474186
- ISBN-10: 1137474181
- Artikelnr.: 41414974
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Ulf Schulenberg is a Visiting Professor of American Studies at the University of Siegen, Germany. He is the author of Zwischen Realismus und Avantgarde: Drei Paradigmen für die Aporien des Entweder-Oder (2000) and Lovers and Knowers: Moments of the American Cultural Left (2007), as well as the co-editor of Americanization-Globalization-Education (2003). He has published widely in the fields of literary and cultural theory, American studies, and American and European intellectual history.
Introduction PART I: PRAGMATISM AND THE IDEA OF A LITERARY OR POETICIZED CULTURE 1. F.C.S. Schiller: Pragmatism, Humanism, and Postmetaphysics 2. Richard Rorty's Notion of a Poeticized Culture 3. Roland Barthes, Marcel Proust, and the 'désir d'écrire' PART II: FROM FINDING TO MAKING: PRAGMATISM AND ROMANTICISM 4. Books, Rocks, and Sentimental Education: Self-Culture and the Desire for the Really Real in Henry David Thoreau 5. 'Strangle the singers who will not sing you loud and strong': Ralph Waldo Emerson, Walt Whitman, and the Idea of a Literary Culture 6. Poets, Partial Stories, and the Earth of Things: William James between Romanticism and Worldliness 7. John Dewey's Antifoundationalist Story of Progress 8. 'Toolmakers rather than discoverers': Richard Rorty's Reading of Romanticism PART III: ETHICS, THE NOVEL, AND THE PRIVATE-PUBLIC DISTINCTION 9. Resuscitating Ethical Criticism: Martha Nussbaum and the Moral Significance of the Novel 10. John Dewey and the Moral Imagination 11. 'Redemption from Egotism': Richard Rorty, the Private-Public Distinction, and the Novel 12. 'Soucie-toi de toi-même': Michel Foucault and Etho-Poetics PART IV: PRAGMATISM, RACE AND COSMOPOLITANISM 13. 'The myth-men are going': Richard Wright, Communism, and Cosmopolitan Humanism 14. 'Where the people can sing, the poet can live': James Baldwin, Pragmatism, and Cosmopolitan Humanism PART V: CONCLUSION Notes Bibliography
Introduction PART I: PRAGMATISM AND THE IDEA OF A LITERARY OR POETICIZED CULTURE 1. F.C.S. Schiller: Pragmatism, Humanism, and Postmetaphysics 2. Richard Rorty's Notion of a Poeticized Culture 3. Roland Barthes, Marcel Proust, and the 'désir d'écrire' PART II: FROM FINDING TO MAKING: PRAGMATISM AND ROMANTICISM 4. Books, Rocks, and Sentimental Education: Self-Culture and the Desire for the Really Real in Henry David Thoreau 5. 'Strangle the singers who will not sing you loud and strong': Ralph Waldo Emerson, Walt Whitman, and the Idea of a Literary Culture 6. Poets, Partial Stories, and the Earth of Things: William James between Romanticism and Worldliness 7. John Dewey's Antifoundationalist Story of Progress 8. 'Toolmakers rather than discoverers': Richard Rorty's Reading of Romanticism PART III: ETHICS, THE NOVEL, AND THE PRIVATE-PUBLIC DISTINCTION 9. Resuscitating Ethical Criticism: Martha Nussbaum and the Moral Significance of the Novel 10. John Dewey and the Moral Imagination 11. 'Redemption from Egotism': Richard Rorty, the Private-Public Distinction, and the Novel 12. 'Soucie-toi de toi-même': Michel Foucault and Etho-Poetics PART IV: PRAGMATISM, RACE AND COSMOPOLITANISM 13. 'The myth-men are going': Richard Wright, Communism, and Cosmopolitan Humanism 14. 'Where the people can sing, the poet can live': James Baldwin, Pragmatism, and Cosmopolitan Humanism PART V: CONCLUSION Notes Bibliography