This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. Michael O'Neill's readings freshly illuminate the imaginative distinction of many famous and often-studied poems, and revalue less regarded works. An extended coda looks at some post-Romantic poets, particularly Yeats, Stevens, Auden, and Clampitt, in the light of the book's central theme.
This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. Michael O'Neill's readings freshly illuminate the imaginative distinction of many famous and often-studied poems, and revalue less regarded works. An extended coda looks at some post-Romantic poets, particularly Yeats, Stevens, Auden, and Clampitt, in the light of the book's central theme.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael O'Neill lives on a farm in Sounthern Ontario with his wife and best friend Kerri. A father, farmer, plumber and, now, has turned to his passion as an avid writer. Watch for future works!
Inhaltsangabe
* Acknowledgements * Note on Texts and Abbreviations * Introduction * PART I. The First Generation * 1.: And I staind the water clear: Blake * 2.: The words he uttered . . .: Wordsworth * 3.: That done in air: Coleridge * PART 2. The Second Generation * 4.: A being more intense: Byron * 5.: The mind which feeds this verse: Shelley (1) * 6.: The sensitive plant: Evaluation and the Self-Conscious Poem: Shelley (2) * 7.: The reading of an ever-changing tale: Keats (1) * 8.: Writing and History in Hyperion and The Fall of Hyperion: Keats (2) * CODA. The Post-Romantic Self-Conscious Poem * 9.: Yeats and Stevens: Two Versions of Post-Romantic Self-Consciousness * 10.: Making and Faking: W. H. Auden * 11.: The knowledge of contrast, feeling for light and shade: Amy Clampitt's Voyages: A Homage to John Keats * Biobliography * Index
* Acknowledgements * Note on Texts and Abbreviations * Introduction * PART I. The First Generation * 1.: And I staind the water clear: Blake * 2.: The words he uttered . . .: Wordsworth * 3.: That done in air: Coleridge * PART 2. The Second Generation * 4.: A being more intense: Byron * 5.: The mind which feeds this verse: Shelley (1) * 6.: The sensitive plant: Evaluation and the Self-Conscious Poem: Shelley (2) * 7.: The reading of an ever-changing tale: Keats (1) * 8.: Writing and History in Hyperion and The Fall of Hyperion: Keats (2) * CODA. The Post-Romantic Self-Conscious Poem * 9.: Yeats and Stevens: Two Versions of Post-Romantic Self-Consciousness * 10.: Making and Faking: W. H. Auden * 11.: The knowledge of contrast, feeling for light and shade: Amy Clampitt's Voyages: A Homage to John Keats * Biobliography * Index
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