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The Romantics lived through a turn of the century that, like our own, seemed to mark an end to history as it had long been understood. They faced accelerated change, including unprecedented state power, armies capable of mass destruction, a polyglot imperial system, and a market economy driven by speculation. In "Romanticism at the End of History," Jerome Christensen challenges the prevailing belief that the Romantics were reluctant to respond to social injustice. Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the…mehr

Produktbeschreibung
The Romantics lived through a turn of the century that, like our own, seemed to mark an end to history as it had long been understood. They faced accelerated change, including unprecedented state power, armies capable of mass destruction, a polyglot imperial system, and a market economy driven by speculation. In "Romanticism at the End of History," Jerome Christensen challenges the prevailing belief that the Romantics were reluctant to respond to social injustice. Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the "Confessions" of De Quincey; and Sir Walter Scott's "Waverley," Christensen concludes that during complicated times of war and revolution English Romantic writers were forced to redefine their role as artists.
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Autorenporträt
Jerome Christensen is chair of the English Department at the Univeristy of California, Irvine. He is also the author of Lord Byron's Strength: Romantic Writing and Commercial Society, also available from Johns Hopkins.