A comparative and interdisciplinary study, Rome, Ravenna, and Venice explores how three cities preserved and remoulded their common Byzantine past. It sheds light on how far these societies were the heirs of the Empire and how they imagined a new part-Roman, part-Italian identity in the centuries after their imperial links were severed.
A comparative and interdisciplinary study, Rome, Ravenna, and Venice explores how three cities preserved and remoulded their common Byzantine past. It sheds light on how far these societies were the heirs of the Empire and how they imagined a new part-Roman, part-Italian identity in the centuries after their imperial links were severed.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Veronica West-Harling is a Research Associate of the History Faculty at the University Oxford and is currently a Visiting Professor at the Università Ca'Foscari in Venice. She has studied at the Paris IV-Sorbonne, Brasenose College, Oxford, and Trinity College, Cambridge. She began her professional career as a Junior Research Fellow at Oxford, where she won a British Academy Postdoctoral Fellowship, later becoming a lecturer in Durham and Wales and a Senior Lecturer at Northampton. In 2011, together with Chris Wickham, she received an AHRC grant for 3 years, of which 9 months were spent in Italy as a Visiting Fellow in Venice and at Roma La Sapienza. In 2015 she won a Marie Curie Fellowship, which supports her current role in Venice.
Inhaltsangabe
Preface Abbreviations Introduction 1: A tale of three cities: history and histories 2: The actors: the elites and the populus I. ROME 3: The actors: the elites and the populus II. RAVENNA and VENICE 4: The stage: places of power, instruments of control 5: Exercising power in the city: the public space 6: Memory and the construction of city identity Concluding thoughts
Preface Abbreviations Introduction 1: A tale of three cities: history and histories 2: The actors: the elites and the populus I. ROME 3: The actors: the elites and the populus II. RAVENNA and VENICE 4: The stage: places of power, instruments of control 5: Exercising power in the city: the public space 6: Memory and the construction of city identity Concluding thoughts
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