Routledge Handbook of Critical International Relations
Herausgeber: Edkins, Jenny
Routledge Handbook of Critical International Relations
Herausgeber: Edkins, Jenny
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Critical international relations is both firmly established and rapidly expanding, and this Handbook offers a wide-ranging survey of contemporary research. It affords insights into exciting developments, more challenging issues, and less prominent topics, examining debates around questions of imperialism, race, gender, ethics and aesthetics.
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Critical international relations is both firmly established and rapidly expanding, and this Handbook offers a wide-ranging survey of contemporary research. It affords insights into exciting developments, more challenging issues, and less prominent topics, examining debates around questions of imperialism, race, gender, ethics and aesthetics.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 378
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 246mm x 174mm x 20mm
- Gewicht: 621g
- ISBN-13: 9780367783891
- ISBN-10: 0367783894
- Artikelnr.: 61209989
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 378
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 246mm x 174mm x 20mm
- Gewicht: 621g
- ISBN-13: 9780367783891
- ISBN-10: 0367783894
- Artikelnr.: 61209989
Jenny Edkins is Professor of Politics at The University of Manchester. She taught previously at Aberystwyth University and the Open University. Her monographs include Face Politics (2015), Missing: Persons and Politics (2011), Trauma and the Memory of Politics (2003) and Whose Hunger? Concepts of Famine, Practices of Aid (2000). Her most recent book, Change and the Politics of Certainty, is forthcoming with Manchester University Press. In addition to her academic writing, she explores fiction, autobiography and other literary forms. She is engaged in several collaborative ventures, including the Gregynog Ideas Lab and the highly-regarded Routledge book series Interventions.
Introduction Part I: Critique and the Discipline 1. Imperialism and the
limits of critique 2. How to criticize without ever becoming a critic 3.
The empty neighbourhood: Race and disciplinary silence Part II: Relations
Beyond Humanity 3. Can International Relations confront the cosmos? 4.
Relating to relational worlds: Critical theory, relational thought and
relational cosmology 5. Confronting horror: International Relations beyond
humanity Part III: Art and Narrative 6. For Alex: The art of International
Relations 7. Ways of Seeing/Ways of Being in Critical IR 8. Narrative and
inquiry in international politics Part IV: War, Religion, Security 9.
Critical war studies 10. Being 'Critical' of/about/on 'Religion' in
International Relations 11. Seeing radicalisation? The pedagogy of the
Prevent strategy Part V: Otherness and Diplomacy 12. The politics of
otherness: Illustrating the identity/alterity nexus and othering in IR 13.
Abusive Fidelities: Diplomacy, Translation, and the Genres of Man 14. Why
Octavio Paz matters: Lessons for critical International Relations Part VI:
Spaces and Times 15. Racing to the bottom, squeezing through the cracks:
Imagining unbordered space 16. Ethics, critique and post-sovereign spaces
in International Politics 17. Critique and the international: Horizons,
traces, finitude Part VII: Resistance 18. The permutations of 'taking'
political action 19. The carnivalesque and resistance Part VIII: Intimacy
and Embodiment 20. Bodies and embodiment in IR 21. The intimate and the
international: love, sexuality, and queer feminist IR 22. Henri Lefebvre
and the production of theory: A ghost story
limits of critique 2. How to criticize without ever becoming a critic 3.
The empty neighbourhood: Race and disciplinary silence Part II: Relations
Beyond Humanity 3. Can International Relations confront the cosmos? 4.
Relating to relational worlds: Critical theory, relational thought and
relational cosmology 5. Confronting horror: International Relations beyond
humanity Part III: Art and Narrative 6. For Alex: The art of International
Relations 7. Ways of Seeing/Ways of Being in Critical IR 8. Narrative and
inquiry in international politics Part IV: War, Religion, Security 9.
Critical war studies 10. Being 'Critical' of/about/on 'Religion' in
International Relations 11. Seeing radicalisation? The pedagogy of the
Prevent strategy Part V: Otherness and Diplomacy 12. The politics of
otherness: Illustrating the identity/alterity nexus and othering in IR 13.
Abusive Fidelities: Diplomacy, Translation, and the Genres of Man 14. Why
Octavio Paz matters: Lessons for critical International Relations Part VI:
Spaces and Times 15. Racing to the bottom, squeezing through the cracks:
Imagining unbordered space 16. Ethics, critique and post-sovereign spaces
in International Politics 17. Critique and the international: Horizons,
traces, finitude Part VII: Resistance 18. The permutations of 'taking'
political action 19. The carnivalesque and resistance Part VIII: Intimacy
and Embodiment 20. Bodies and embodiment in IR 21. The intimate and the
international: love, sexuality, and queer feminist IR 22. Henri Lefebvre
and the production of theory: A ghost story
Introduction Part I: Critique and the Discipline 1. Imperialism and the
limits of critique 2. How to criticize without ever becoming a critic 3.
The empty neighbourhood: Race and disciplinary silence Part II: Relations
Beyond Humanity 3. Can International Relations confront the cosmos? 4.
Relating to relational worlds: Critical theory, relational thought and
relational cosmology 5. Confronting horror: International Relations beyond
humanity Part III: Art and Narrative 6. For Alex: The art of International
Relations 7. Ways of Seeing/Ways of Being in Critical IR 8. Narrative and
inquiry in international politics Part IV: War, Religion, Security 9.
Critical war studies 10. Being 'Critical' of/about/on 'Religion' in
International Relations 11. Seeing radicalisation? The pedagogy of the
Prevent strategy Part V: Otherness and Diplomacy 12. The politics of
otherness: Illustrating the identity/alterity nexus and othering in IR 13.
Abusive Fidelities: Diplomacy, Translation, and the Genres of Man 14. Why
Octavio Paz matters: Lessons for critical International Relations Part VI:
Spaces and Times 15. Racing to the bottom, squeezing through the cracks:
Imagining unbordered space 16. Ethics, critique and post-sovereign spaces
in International Politics 17. Critique and the international: Horizons,
traces, finitude Part VII: Resistance 18. The permutations of 'taking'
political action 19. The carnivalesque and resistance Part VIII: Intimacy
and Embodiment 20. Bodies and embodiment in IR 21. The intimate and the
international: love, sexuality, and queer feminist IR 22. Henri Lefebvre
and the production of theory: A ghost story
limits of critique 2. How to criticize without ever becoming a critic 3.
The empty neighbourhood: Race and disciplinary silence Part II: Relations
Beyond Humanity 3. Can International Relations confront the cosmos? 4.
Relating to relational worlds: Critical theory, relational thought and
relational cosmology 5. Confronting horror: International Relations beyond
humanity Part III: Art and Narrative 6. For Alex: The art of International
Relations 7. Ways of Seeing/Ways of Being in Critical IR 8. Narrative and
inquiry in international politics Part IV: War, Religion, Security 9.
Critical war studies 10. Being 'Critical' of/about/on 'Religion' in
International Relations 11. Seeing radicalisation? The pedagogy of the
Prevent strategy Part V: Otherness and Diplomacy 12. The politics of
otherness: Illustrating the identity/alterity nexus and othering in IR 13.
Abusive Fidelities: Diplomacy, Translation, and the Genres of Man 14. Why
Octavio Paz matters: Lessons for critical International Relations Part VI:
Spaces and Times 15. Racing to the bottom, squeezing through the cracks:
Imagining unbordered space 16. Ethics, critique and post-sovereign spaces
in International Politics 17. Critique and the international: Horizons,
traces, finitude Part VII: Resistance 18. The permutations of 'taking'
political action 19. The carnivalesque and resistance Part VIII: Intimacy
and Embodiment 20. Bodies and embodiment in IR 21. The intimate and the
international: love, sexuality, and queer feminist IR 22. Henri Lefebvre
and the production of theory: A ghost story