Routledge Handbook of Indian Cinemas

Herausgeber: Dissanayake, Wimal; Gokulsing, K. Moti

• Broschiertes Buch

Produktbeschreibung

India is the largest film producing country in the world and its output has a global reach. After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Now available in paperback, the Handbook combines a historical and thematic approach to discuss how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 488
• Erscheinungstermin: 22. Mai 2018
• Englisch
• Abmessung: 246mm x 174mm x 26mm
• Gewicht: 861g
• ISBN-13: 9781138311480
• ISBN-10: 1138311480
• Artikelnr.: 52712132

Autorenporträt

K. Moti Gokulsing is Senior Visiting Research Fellow at the University of East London, UK. He is the co-founder and co-editor of the journal South Asian Popular Culture published by Routledge. His publications include Soft-Soaping India: the world of Indian televised soap operas (2004). Wimal Dissanayake teaches in the Academy for Creative Media at the University of Hawaii, USA. He has published widely on Indian cinema, and is co-editor of Popular Culture in a Globalised India (Routledge 2009) with K. Moti Gokulsing.

Inhaltsangabe

1. Introduction Part 1: Historical Analysis 2. From Cultural Backwardness
to the Age of Imitation: An Essay in Film History 3. The Indian New Wave 4.
Regional Cinemas: 4.1 'Bengali' Cinema: Its Making and Unmaking 4.2
Assamese Cinema: Dreams, Reality and Dichotomies 4.3 Odia (the new name for
Oriya) Cinema at 75 4.4 Marathi Cinema: The Exile, the Factory and Fame 4.5
Gujarati Cinema: Stories of Sant, Sati, Shethani and Sparks Afew 4.6
Matriliny to Masculinity: Performing Modernity and Gender in Malayalam
Cinema 4.7 Kannada Cinema and Princely Mysore4.8 The Star-politicians of
Tamil Nadu: The origin and emergence 4.9 Beyond the Star: Telegu Comedy
Films and Realpolitik in Andhra Pradesh 4.10 Mapping the invisible world of
Bhojpuri cinema and its changing audience 4.11 From Lahore to Bombay...and
Vancouver: The Chequered Journey of Punjabi Cinema Part 2: Themes and
Perspectives 5. The evolution of representing Female sexuality in Hindi
Cinema 1991 - 2010 6. Queer Times in Bollywood 7. The Scale of Diasporic
Cinema: Negotiating National and Transnational Cultural Citizenship 8. The
Shifting Terrains of Nationalism and Patriotism in Indian Cinemas 9.
Digitizing the National Imaginary: Technology and Hybridization in Hindi
Film Songs of the Post-Liberalization Period 10. Trends in Hindi Film music
with special reference to Socio-Economic and Political Changes11. Music in
Mainstream Indian Cinema 12. Scriptwriting- In and Out of the Box 13. The
Fictions of Science and Cinema in India 14. Film Censorship in India:
Deconstructing an Incongruity 15. Advertising and marketing of the Indian
Cinema Part 3: The Business of Indian Cinemas 16. Film Distribution: The
Changing Landscape 17. Corporatization and the Hindi Film Industry 18.
Indian Cinemas: Acknowledging Property Rights 19. Foundations, Movements
and Dissonant Images: documentary film and its ambivalent relations to the
nation state Part 4: Cinema Halls and Audiences 20. Active Audiences and
the Experience of Cinema 21. Hindi film audiences outside South Asia 22.
Cinema as Social Space: The Case of the Multiplex 23. Virtual Darshan:
social networking and virtual communities in the Hindi film context 24.
Conclusion