Andere Kunden interessierten sich auch für
![Listening to Fellini]( "Listening to Fellini")
Listening to Fellini128,99 €![Kubrick's Men]( "Kubrick's Men")
Kubrick's Men133,99 €![Contemporary Spanish Gothic]( "Contemporary Spanish Gothic")
Contemporary Spanish Gothic137,99 €![Bad Seeds and Holy Terrors: The Child Villains of Horror Film]( "Bad Seeds and Holy Terrors: The Child Villains of Horror Film")
Bad Seeds and Holy Terrors: The Child Villains of Horror Film101,99 €![Bored to Distraction: Cinema of Excess in End-Of-The-Century Mexico and Spain]( "Bored to Distraction: Cinema of Excess in End-Of-The-Century Mexico and Spain")
Bored to Distraction: Cinema of Excess in End-Of-The-Century Mexico and Spain100,99 €![Between Gazes: Feminist, Queer, and Other Films]( "Between Gazes: Feminist, Queer, and Other Films")
Between Gazes: Feminist, Queer, and Other Films29,99 €![Imagining Latin America]( "Imagining Latin America")
Imagining Latin America129,99 €
This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film "Morning Departure "(1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe, and the best version of the Titanic disaster, "A Night to Remember" in 1958. He then moved to television series such as "The Avengers," "The Saint" and "Minder." Later Baker re-emerged as a major director of science-fiction ("Quatermass and The P"it) and horror films ("Asylum"). Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s.