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Rubbles is a swirling, errant and wild collection by David Spittle which echoes Prynne in its linguistic complexity and use of rhetorical flourishes as a critique of popular culture. Somewhere between "putting your head between a sanding belt and a circular saw" and "the would-be Russian elegy for expecting the unexpected item in the bagging area" Rubbles is by turns grandiose, innovative and an often thrilling assault on language, where "the path clears/by the use it gets".

Produktbeschreibung
Rubbles is a swirling, errant and wild collection by David Spittle which echoes Prynne in its linguistic complexity and use of rhetorical flourishes as a critique of popular culture. Somewhere between "putting your head between a sanding belt and a circular saw" and "the would-be Russian elegy for expecting the unexpected item in the bagging area" Rubbles is by turns grandiose, innovative and an often thrilling assault on language, where "the path clears/by the use it gets".
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Autorenporträt
David Spittle is a poet, filmmaker, and essayist. His first full collection, All Particles and Waves was published by Black Herald Press (2020), following the pamphlet, B O X (HVTN, 2018). For the last decade, he has been running a series of interviews with poets on film and filmmakers on poetry; it has now been published as a book, Light Glyphs (Broken Sleep, 2020).Spittle's first short film, Light Noise, was funded and broadcast by the BBC - now available to watch on iPlayer. The following year, he was commissioned to make an experimental documentary by the Austrian Cultural Forum on poetry in the pandemic, Where Is Everyone Austria. He has also written three operas and, in 2014, was commissioned by Bergen National Opera to write a song-cycle which has since been performed internationally. Spittle holds a Literature PhD on the poetry of John Ashbery and Surrealism. He continues independent research across Poetry, Film, and Noise.