Rubens and the Eloquence of Drawing - Lusheck, Catherine H.
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This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubensâ s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.

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Produktbeschreibung
This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubensâ s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
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Autorenporträt
Catherine Lusheck (PhD, UC Berkeley), is Associate Professor of Art History at the University of San Francisco. Her research interests include Rubens drawings, and early modern humanism, style, and visual rhetoric. Her publications include "Content in Form: Rubens's Kneeling Man and the Graphic Reformation of the Ideal, Robust Male Nude," Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen (2000), and a forthcoming essay, "Leonardo's Brambles and their Afterlife in Rubens's Studies of Nature."