Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Philip Hardie is a Senior Research Fellow at Trinity College, Cambridge, and Honorary Professor of Latin Literature in the University of Cambridge. He is one of the leading critics of Latin literature, with strong interests in the reception of classical literature, and is the author of Virgil's Aeneid: Cosmos and Imperium (1986), The Epic Successors of Virgil (1993), Ovid's Poetics of Illusion (2002) and Lucretian Receptions (2009), the editor of The Cambridge Companion to Ovid (2002) and co-editor of The Cambridge Companion to Lucretius (2007). He is currently co-editing the Renaissance volume of The Oxford History of Classical Reception in English Literature. He is a Fellow of the British Academy.
Inhaltsangabe
1. Introduction 2. Hesiod and Homer: Virgilian beginnings 3. Virgil's Fama 4. Fame and defamation in the Aeneid 5. Ovid: Metamorphoses 6. Later epic: Lucan, Statius, Valerius Flaccus, Nonnus 7. Roman historiography I: Livy 8. Roman historiography II: Tacitus 9. Fama and Amor 10. Fame and blame: Spenser 11. Christian conversions of Fama 12. Petrarch: Trionfi, Africa 13. Fama and power in early modern England: Shakespeare, Ben Jonson 14. Milton: Samson Agonistes 15. Plots of fame: Chaucer, Alexander Pope 16. Visual representations of Fama.
1. Introduction 2. Hesiod and Homer: Virgilian beginnings 3. Virgil's Fama 4. Fame and defamation in the Aeneid 5. Ovid: Metamorphoses 6. Later epic: Lucan, Statius, Valerius Flaccus, Nonnus 7. Roman historiography I: Livy 8. Roman historiography II: Tacitus 9. Fama and Amor 10. Fame and blame: Spenser 11. Christian conversions of Fama 12. Petrarch: Trionfi, Africa 13. Fama and power in early modern England: Shakespeare, Ben Jonson 14. Milton: Samson Agonistes 15. Plots of fame: Chaucer, Alexander Pope 16. Visual representations of Fama.
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