Rural Modernity in Britain
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Rural Modernity in Britain doesn't merely fill a notable gap in studies of "modernism" and "modernity" - it provides a new template for understanding these terms in reference to Britain. Charting diverse, regionally inflected responses to modernity, the volume moves beyond the model of a single "countryside" as the locus of nostalgia or the weekend fantasies of modern urban dwellers to render the "rural" complex and vital.' Debra Rae Cohen, University of South Carolina Defines the interdisciplinary field of Rural Modernity through analysis of British literature, art and culture Rural Modernity…mehr

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Produktbeschreibung
Rural Modernity in Britain doesn't merely fill a notable gap in studies of "modernism" and "modernity" - it provides a new template for understanding these terms in reference to Britain. Charting diverse, regionally inflected responses to modernity, the volume moves beyond the model of a single "countryside" as the locus of nostalgia or the weekend fantasies of modern urban dwellers to render the "rural" complex and vital.' Debra Rae Cohen, University of South Carolina Defines the interdisciplinary field of Rural Modernity through analysis of British literature, art and culture Rural Modernity in Britain argues that the rural areas of Britain were impacted by modernisation just as much - if not more - than urban and suburban areas. It is the first study of modernity and modernism to focus on rural people and places that experienced economic depression, the expansion of transportation and communication networks, the roll out of electricity, the loss of land, and the erosion of local identities. Who celebrated these changes? Who resisted them? Who documented them? Essays in this collection make the case that the rural means more than just the often-studied countryside of southern England, a retreat from the consequences of modernity; rather, the rural emerges as a source for new versions of the modern, with an active role in the formation and development of British experiences and representations of modernity. Kristin Bluemel is Professor of English and Wayne D. McMurray Chair in the Humanities at Monmouth University in New Jersey. Michael McCluskey is Lecturer in English and Film Studies at the University of York. Cover image: Deserted Quarry, William Rothenstein, 1904 Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-2095-2 Barcode
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Autorenporträt
Kristin Bluemel is Professor of English and Wayne D. McMurray Chair in the Humanities at Monmouth University in New Jersey. She is the author of books on modernist Dorothy Richardson and intermodernist George Orwell; articles and chapters on regional and middlebrow writers; editor of Intermodernism: Literary Culture in Mid-Twentieth-Century Britain (EUP, 2011), and past editor of the journal The Space Between: Literature and Culture, 1914-1945 . Her work in progress examines interwar women wood engravers. Michael McCluskey is Lecturer in English and Film Studies at the University of York. Among his published articles are: 'Humphrey Jennings in the East End: Fires Were Started and Local Geographies' for London Journal, and 'The Postman's Daily Round: English Journeys in 1930s Documentary Film' for The Space Between, Literature and Culture 1914-1945 6.1 (2011): 105-23.