A cultural history of Anthony Hope's The Prisoner of Zenda that explores its afterlife including how it was adapted for stage and screen, woven into narratives about the Cold War, and influenced children's writers such as Frances Hodgson Burnett and Meg Cabot.
A cultural history of Anthony Hope's The Prisoner of Zenda that explores its afterlife including how it was adapted for stage and screen, woven into narratives about the Cold War, and influenced children's writers such as Frances Hodgson Burnett and Meg Cabot.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Educated at University College Cork and Brown University, Nicholas Daly is Professor of Modern English and American Literature at University College Dublin, and a member of the Royal Irish Academy. He has also taught at Wesleyan University, Dartmouth College, and Trinity College Dublin. His publications include Modernism, Romance, and the Fin de Siècle (1999), Literature, Technology and Modernity (2004), Sensation and Modernity in the 1860s (2009), and The Demographic Imagination and the Nineteenth-Century City: Paris, London, New York (2015). He edited Baroness Orczy's The Scarlet Pimpernel for Oxford World's Classics, and he is completing a new edition of Anthony Hope's The Prisoner of Zenda.
Inhaltsangabe
Introduction: Locating Ruritania 1: Anthony Hope Hawkins, George Alexander, and The Prisoner of Zenda 2: zenda on Screen 3: Graustark: The American Ruritania 4: Ruritania in Waltz Time: From Operetta to the Film Musical 5: Pocket Kingdoms, the Cold War, and the Bomb 6: The Ruritanian Makeover: The Princess Diaries and Princess Culture
Introduction: Locating Ruritania 1: Anthony Hope Hawkins, George Alexander, and The Prisoner of Zenda 2: zenda on Screen 3: Graustark: The American Ruritania 4: Ruritania in Waltz Time: From Operetta to the Film Musical 5: Pocket Kingdoms, the Cold War, and the Bomb 6: The Ruritanian Makeover: The Princess Diaries and Princess Culture
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