Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: As importantly, they capture a sense of a society in flux during the waning years of Communism, as well as the larger context within which Glasnost cinema and…mehr
Russian Critics on the Cinema of Glasnost gathers together twenty-three essays written by some of Russia's most astute commentators of film and culture. Written during the 1980s and published in English for the first time, this collection includes reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments not only illuminate important aspects of Russian filmmaking during this decade: As importantly, they capture a sense of a society in flux during the waning years of Communism, as well as the larger context within which Glasnost cinema and culture developed. This collection provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.
Part I: Films in a Shifting Landscape: 1. Cinema without cinema Mikhail Yampolsky 2. Cinema for every day Yuri Bogomolov 3. The last romantics Alexander Timofeevsky 4. Jobless prophets Lev Karakhan 5. Midseasonal anarchists Marina Drozdova 6. The most avant garde of all parallel ones Sergei Dobrotvorsky Part II. Glasnost's Top Ten: 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina 8. Between the circus and the zoo Igor Aleinikov 9. Is it easy to be young is it easy to be grown up? Lev Anninsky 10. Deafening voids Alexander Kiselev 11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky 12. The cold summer of '53 Mikhail Trofimenkov 13. Birds of passage Mikhail Trofimenkov 14. Assa The tenderest shroud Alexander Timofeevsky 15. Commissar Maya Turovskaya 16. Little Vera: forward, singing Tatyana Moskvina 17. Days of eclipse: out of bounds Victor Bozhovich 18. The days of eclipse Maya Turovskaya 19. The world as a mirror for the other world Mikhail Yampolsky 20. A billion years before the end of cinema Tatyana Moskvina 21. The needle: a dandy of the postpunk era Marine Drozdova 22. Taxi blues: forgiveness Pyotr Shepotinnik 23. Taxi fares, blues fans and film viewers Sergei Lavrentiev Conclusion Notes on the Contributors Directors' Bio-filmography Filmography Index.
Part I: Films in a Shifting Landscape: 1. Cinema without cinema Mikhail Yampolsky 2. Cinema for every day Yuri Bogomolov 3. The last romantics Alexander Timofeevsky 4. Jobless prophets Lev Karakhan 5. Midseasonal anarchists Marina Drozdova 6. The most avant garde of all parallel ones Sergei Dobrotvorsky Part II. Glasnost's Top Ten: 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina 8. Between the circus and the zoo Igor Aleinikov 9. Is it easy to be young is it easy to be grown up? Lev Anninsky 10. Deafening voids Alexander Kiselev 11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky 12. The cold summer of '53 Mikhail Trofimenkov 13. Birds of passage Mikhail Trofimenkov 14. Assa The tenderest shroud Alexander Timofeevsky 15. Commissar Maya Turovskaya 16. Little Vera: forward, singing Tatyana Moskvina 17. Days of eclipse: out of bounds Victor Bozhovich 18. The days of eclipse Maya Turovskaya 19. The world as a mirror for the other world Mikhail Yampolsky 20. A billion years before the end of cinema Tatyana Moskvina 21. The needle: a dandy of the postpunk era Marine Drozdova 22. Taxi blues: forgiveness Pyotr Shepotinnik 23. Taxi fares, blues fans and film viewers Sergei Lavrentiev Conclusion Notes on the Contributors Directors' Bio-filmography Filmography Index.
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