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Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

Produktbeschreibung
Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
Autorenporträt
VALLERI J. HOHMAN is an Assistant Professor in the Department of Theatre at the University of Illinois at Urbana-Champaign, USA.
Rezensionen
'Hohman writes engagingly, and recounts many fascinating episodes in the history of Russian performance in the U.S. during the period she covers.' -Anne Winestein, Ballet Russes Cultural Partnership with Boston University, The NEP Era: Soviet Russia 1921-1928