Grey's art takes us through the physical, metaphysical, and spiritual anatomy of the self, revealing the core of human existence as he brings us face to face with ourselves.
Grey's art takes us through the physical, metaphysical, and spiritual anatomy of the self, revealing the core of human existence as he brings us face to face with ourselves.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alex Grey is an artist whose work has appeared in the Stux galleries, New York and Boston; the London Regional Art Gallery, Canada; the University of California Museum of Art, Santa Barbara; the Chicago International Art Exposition; the New Museum, New York; the Grand Palais, Paris; the São Paulo Biennial, Brazil; and numerous other exhibitions. He is also the author of the book Transfigurations.
Inhaltsangabe
Acknowledgments Preface In the Eye of the Artist: Art and the Perennial Philosophy - Ken Wilber Through Darkness to Light: The Art Path of Alex Grey - Carlo McCormick The Sacred Mirror - Alex Grey Sacred Mirrors - The Plates Progress of the Soul Endnotes
Acknowledgments
Preface
In the Eye of the Artist: Art and the Perennial Philosophy - Ken Wilber
Through Darkness to Light: The Art Path of Alex Grey - Carlo McCormick
Acknowledgments Preface In the Eye of the Artist: Art and the Perennial Philosophy - Ken Wilber Through Darkness to Light: The Art Path of Alex Grey - Carlo McCormick The Sacred Mirror - Alex Grey Sacred Mirrors - The Plates Progress of the Soul Endnotes
Acknowledgments
Preface
In the Eye of the Artist: Art and the Perennial Philosophy - Ken Wilber
Through Darkness to Light: The Art Path of Alex Grey - Carlo McCormick
The Sacred Mirror - Alex Grey
Sacred Mirrors - The Plates
Progress of the Soul
Endnotes
Rezensionen
"Mr. Grey's paintings, as detailed and anatomically accurate as medical illustrations, present man as an archetypal being struggling toward cosmic unity--Grey's vision of a flawed but perfectible mankind stands as an antidote to the cynicism and spiritual malaise prevalent in much contemporary art." New York Times
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