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Offering a historical perspective to the study of medieval English drama, this work argues that different treatments of audience and performance in the early drama indicate that the performance life of the drama continued well beyond its traditional placement in medieval history into the Reformation and Renaissance eras.

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Offering a historical perspective to the study of medieval English drama, this work argues that different treatments of audience and performance in the early drama indicate that the performance life of the drama continued well beyond its traditional placement in medieval history into the Reformation and Renaissance eras.
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