Church buildings have played significant roles in the formation and ongoing development of Christianity. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, Kilde identifies church buildings as dynamic participants in religious change and as goldmines of information on Christianity itself.
Church buildings have played significant roles in the formation and ongoing development of Christianity. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, Kilde identifies church buildings as dynamic participants in religious change and as goldmines of information on Christianity itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jeanne Halgren Kilde is the author of When Church Became Theatre: The Transformation of Evangelical Architecture and Worship in Nineteenth-Century America and co-editor of Rapture, Revelation and the End Times: Understanding the Left Behind Series. She holds a Ph.D. in American Studies and has taught religious studies and U.S. history at several institutions. She is currently affiliated with the Institute for Advanced Study at the University of Minnesota.
Inhaltsangabe
1: A Method for Thinking About Power Dynamics in Christian Space 2: Early Christian Meeting Space in the Roman Empire 3: Imperial Power in Constantinian and Byzantine Churches 4: From Abbey to Great Church, Fortress to Heavenly City 5: Transformations of the Renaissance and Reformation 6: Formalism and Non- or Anti-Formalism in Worship and Architecture 7: Historicism, Modernism, and Space 8: Concluding Observations
1: A Method for Thinking About Power Dynamics in Christian Space 2: Early Christian Meeting Space in the Roman Empire 3: Imperial Power in Constantinian and Byzantine Churches 4: From Abbey to Great Church, Fortress to Heavenly City 5: Transformations of the Renaissance and Reformation 6: Formalism and Non- or Anti-Formalism in Worship and Architecture 7: Historicism, Modernism, and Space 8: Concluding Observations
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