Saint Marks - Goldberg, Jonathan
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"Saint Marks finds and forges material connections among things, images, and words. In these connections, Goldberg persuades us, the biographical subject exceeds his or her own life, living through matter. The book concerns Venice and its patron saint-what it means to construct the identity of each and then identify the one with the other, as well as the natural, historical, pictorial, and literary forces that undo such constructions. The book is a magisterial shift of the biographical and historical into the geographical that will appeal to a broad readership across art history and literary…mehr

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"Saint Marks finds and forges material connections among things, images, and words. In these connections, Goldberg persuades us, the biographical subject exceeds his or her own life, living through matter. The book concerns Venice and its patron saint-what it means to construct the identity of each and then identify the one with the other, as well as the natural, historical, pictorial, and literary forces that undo such constructions. The book is a magisterial shift of the biographical and historical into the geographical that will appeal to a broad readership across art history and literary studies."-Amy Knight Powell, University of California, Irvine Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlives the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located-among them, as Evangelist or as patron saint of Venice-the book traces Mark's afterlives within art, sacred texts, and literature, in conversation with Warburg, Agamben, Didi-Huberman, Nancy, and others. Goldberg begins in sixteenth-century Venice, with a series of paintings that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin's Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present. Jonathan Goldberg is Arts and Sciences Distinguished Professor Emeritus at Emory University. His most recent book is Melodrama: An Aesthetics of Impossibility.
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Autorenporträt
Jonathan Goldberg was Arts and Sciences Distinguished Professor Emeritus at Emory University. His many books include Come As You Are, After Eve Kosofsky Sedgwick; Saint Marks: Words, Images, and What Persists; Melodrama: An Aesthetics of Impossibility; and Sodometries: Renaissance Texts, Modern Sexualities. His writing centered on early modernity but ranged from Sappho and Willa Cather to Patricia Highsmith and Todd Haynes in exploring questions of materiality and sexuality.