Salon culture in Japan
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The first publication to celebrate the British Museum's rich collection of these technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals and lyrical landscapes. In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and…mehr

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Produktbeschreibung
The first publication to celebrate the British Museum's rich collection of these technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals and lyrical landscapes. In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government. The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka. Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce. Only a fraction of these technically sophisticated artworks has previously been published in colour. With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.
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Autorenporträt
Principal contributors from the British Museum Rosina Buckland, Curator, Japanese Collections Timothy T. Clark, Honorary Research Fellow Alfred Haft, JTI Project Curator for Japanese Collections Akiko Yano, Mitsubishi Corporation Curator, Japanese Collections with C. Andrew Gerstle, Professor Emeritus, SOAS University of London Supporting contributors Akama Ryo, Ritsumeikan University Akeo Keizo, Osaka University of Commerce Paul Berry, Kyoto University of Foreign Languages Hirai Yoshinobu, National Museum of Modern Art, Kyoto Scott Johnson, Kansai University Nakatani Nobuo, Kansai University Ellis Tinios, Leeds University