Salvación de Lo Bello - Han, Byung-Chul
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The polished, the smooth, the impeccable, are the hallmark of our time. They are what Jeff Koons sculptures, smartphones and waxing have in common. These qualities highlight the current "excess of positivity" that Han speaks of in other essays, but that he focuses on and develops here in the field of art and aesthetics. Why do you like "polished" so much today? Because it does not damage, it offers no resistance. The digital beauty constitutes the space of the same, which does not tolerate any strangeness, any otherness, any negativity. Beauty is not a momentary brilliance nor is it found in…mehr

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Produktbeschreibung
The polished, the smooth, the impeccable, are the hallmark of our time. They are what Jeff Koons sculptures, smartphones and waxing have in common. These qualities highlight the current "excess of positivity" that Han speaks of in other essays, but that he focuses on and develops here in the field of art and aesthetics. Why do you like "polished" so much today? Because it does not damage, it offers no resistance. The digital beauty constitutes the space of the same, which does not tolerate any strangeness, any otherness, any negativity. Beauty is not a momentary brilliance nor is it found in immediate contact; shines in silence, through detours; it happens as a reunion and recognition.
Autorenporträt
Byung-Chul Han (Seúl, Corea del Sur, 1959) estudió Filosofía en la Universidad de Friburgo y Literatura Alemana y Teología en la Universidad de Múnich. En 1994 se doctoró por la primera de dichas universidades con una tesis sobre Martin Heidegger. Ha sido profesor de Filosofía en la Universidad de Basilea; de Filosofía y Teoría de los Medios en la Escuela Superior de Diseño de Karlsruhe y de Filosofía y Estudios Culturales en la Universidad de las Artes de Berlín. Es autor de más de una veintena de títulos, casi todos ellos publicados en castellano por Herder Editorial.