Samuel Beckett and Ecology
Herausgeber: Johnson, Nicholas E; Thobois-Gupta, Céline; McTighe, Trish
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Samuel Beckett and Ecology
Herausgeber: Johnson, Nicholas E; Thobois-Gupta, Céline; McTighe, Trish
- Gebundenes Buch
"Beckett and Ecology is the first full-length book to offer a wide range of scholarly and artistic responses to the ecological crises provoked, mediated, or challenged by Beckett's work. The volume reflects on the varied practices and narratives in Beckettian intermedial ecologies, offering new insights into the connections between Beckett and the Anthropocene in the terrains of translation, adaptation, performance and the visual arts. Chapters also explore the potential of Happy Days (1961) for ecological thought, and the role it has taken in ecodramaturgy"--
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"Beckett and Ecology is the first full-length book to offer a wide range of scholarly and artistic responses to the ecological crises provoked, mediated, or challenged by Beckett's work. The volume reflects on the varied practices and narratives in Beckettian intermedial ecologies, offering new insights into the connections between Beckett and the Anthropocene in the terrains of translation, adaptation, performance and the visual arts. Chapters also explore the potential of Happy Days (1961) for ecological thought, and the role it has taken in ecodramaturgy"--
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 288
- Erscheinungstermin: 20. Februar 2025
- Englisch
- Abmessung: 216mm x 138mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350366022
- ISBN-10: 1350366021
- Artikelnr.: 70352838
- Verlag: Bloomsbury Academic
- Seitenzahl: 288
- Erscheinungstermin: 20. Februar 2025
- Englisch
- Abmessung: 216mm x 138mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350366022
- ISBN-10: 1350366021
- Artikelnr.: 70352838
Trish McTighe is Lecturer in Drama at Queen's University Belfast, UK. Céline Thobois-Gupta is an IRC-funded PhD researcher in the Department of Drama at Trinity College Dublin, Ireland, and an ECR Fellow at the Trinity Long Room Hub. Nicholas E. Johnson is Associate Professor of Drama at Trinity College Dublin, Ireland, where he directs the Trinity Centre for Beckett Studies.
List of Illustrations Notes on Contributors Acknowledgements 01.
Introduction: All this, when will all this have been . just play?':
Situating Beckett and Ecology Céline Thobois-Gupta (Trinity College
Dublin), Trish McTighe (Queen's University Belfast) & Nicholas E. Johnson
(Trinity College Dublin) Part One. "The tree is pulled up and disappears in
flies" - Beckettian Ecologies: Epistemologies, Practices, Discourses 02.
Samuel Beckett's Theatre and Dark Ecology Chen Chang (Nanjing University)
03. A Dusty Coup from Argentina Noelia Billi (University of Buenos Aires)
04. "a specialist of neither more nor less importance than the other
specialists involved": Beckett's Collaborative Ecologies across Media Olga
Beloborodova (University of Antwerp), James Little (University of Cyprus) &
Pim Verhulst (University of Oxford) 05. Linguistic Ecologies: Reading
Samuel Beckett in Saudi Arabia Amjad Alshalan (King Saud University) 06.
Translating the Ecological Aspects of Beckett's Drama into Japanese Theatre
Yoshiko Takebe (Shujutsu University) 07. The Translator as Cultural
Mediator: The Tradaptation of Waiting for Godot for a Thai Buddhist
Ecosystem Chutima Maneewattana (Suan Sunandha Rajabhat University) 08.
Beckett and Televisual Ecosystems: Dramas of the Vast Wasteland Jonathan
Bignell (University of Reading) 09. Interview: Workshopping Beckett in
Algeria for the Streets of the World Mauricio Celedon (Teatro del Silencio)
& Céline Thobois-Gupta (Trinity College Dublin) Part 2. "and to think all
that is organic waste!" Beckett and the Anthropocene / Beckett in the
Anthropocene 10. Retrofitting Beckett: Synge, Druid Theatre, and Waiting
for Godot on Inis Meáin Patrick Lonergan (University of Galway) 11. "Old
Wall": Reading Endgame's Pictographs with Australian Indigenous Rock Art
Mark Byron (University of Sydney) 12. A Tree and a Stone in Waiting for
Godot: Precarity in Beckett Mariko Hori Tanaka (Aoyama Gakuin University)
13. Beckett to Gather the World? Martin Ambara (Laboratoire de théâtre de
Yaoundé) & Céline Thobois-Gupta (Trinity College Dublin) 14. Terra
Incognita: Beckett's Anthropo(s)cene in Contemporary Art Derval Tubridy
(Goldsmiths, University of London) 15. Rastreadoras Del Fuerte and The
Unearthing of Their Lost and Loved Ones: Beckettian Ecologies and the
More-than-human Eye Luz María Sanchez (Universitat Oberta de
Catalunya/Kunstakademiet, University of Bergen) 16. "Toute cette question
du climat": The More-than-Human World in Beckett's Trilogy Michael Cronin
(Trinity College Dublin) 17. Ecological Crises and Local Manifestations in
Godot Aaya Kya Supriya Baijal (Trinity College Dublin) & Devika Mehra
(University of London) Section 3. "The earth is really tight today": The
Eco-dramaturgy of Happy Days 18. Samuel Beckett and Terrain Vague: Happy
Days, a Case Study Céline Thobois-Gupta (Trinity College Dublin) 19.
"Shall I myself not melt perhaps in the end, or burn...": Samuel Beckett's
Happy Days in Times of Ecological Turmoil Konstantina Georgiadi (Institute
for Mediterranean Studies of the Foundation for Research and Technology)
20. Happy Days in Los Angeles: An Ecology of the Unhoused Katherine Weiss
(California State University) 21. Beckett's Haunting of the Landscape and
Language of Ireland Sarah Jane Scaife (Trinity College Dublin) 22. The
Eco-Scenography of Beckett sa Chreig: Laethanta Sona from Imagination to
Making to Monumentalizing Rosaleen Mayapril (University of Reading) 23.
Hybrid Bodies: A Hydro- and Eco-Feminist Reading of Company SJ's Beckett sa
Chreig: Laethanta Sona Zoë Tweed (University of Reading) 24. Conclusion:
'Coup de pousse' Céline Thobois-Gupta (Trinity College Dublin) & Nicholas
E. Johnson (Trinity College Dublin) Index
Introduction: All this, when will all this have been . just play?':
Situating Beckett and Ecology Céline Thobois-Gupta (Trinity College
Dublin), Trish McTighe (Queen's University Belfast) & Nicholas E. Johnson
(Trinity College Dublin) Part One. "The tree is pulled up and disappears in
flies" - Beckettian Ecologies: Epistemologies, Practices, Discourses 02.
Samuel Beckett's Theatre and Dark Ecology Chen Chang (Nanjing University)
03. A Dusty Coup from Argentina Noelia Billi (University of Buenos Aires)
04. "a specialist of neither more nor less importance than the other
specialists involved": Beckett's Collaborative Ecologies across Media Olga
Beloborodova (University of Antwerp), James Little (University of Cyprus) &
Pim Verhulst (University of Oxford) 05. Linguistic Ecologies: Reading
Samuel Beckett in Saudi Arabia Amjad Alshalan (King Saud University) 06.
Translating the Ecological Aspects of Beckett's Drama into Japanese Theatre
Yoshiko Takebe (Shujutsu University) 07. The Translator as Cultural
Mediator: The Tradaptation of Waiting for Godot for a Thai Buddhist
Ecosystem Chutima Maneewattana (Suan Sunandha Rajabhat University) 08.
Beckett and Televisual Ecosystems: Dramas of the Vast Wasteland Jonathan
Bignell (University of Reading) 09. Interview: Workshopping Beckett in
Algeria for the Streets of the World Mauricio Celedon (Teatro del Silencio)
& Céline Thobois-Gupta (Trinity College Dublin) Part 2. "and to think all
that is organic waste!" Beckett and the Anthropocene / Beckett in the
Anthropocene 10. Retrofitting Beckett: Synge, Druid Theatre, and Waiting
for Godot on Inis Meáin Patrick Lonergan (University of Galway) 11. "Old
Wall": Reading Endgame's Pictographs with Australian Indigenous Rock Art
Mark Byron (University of Sydney) 12. A Tree and a Stone in Waiting for
Godot: Precarity in Beckett Mariko Hori Tanaka (Aoyama Gakuin University)
13. Beckett to Gather the World? Martin Ambara (Laboratoire de théâtre de
Yaoundé) & Céline Thobois-Gupta (Trinity College Dublin) 14. Terra
Incognita: Beckett's Anthropo(s)cene in Contemporary Art Derval Tubridy
(Goldsmiths, University of London) 15. Rastreadoras Del Fuerte and The
Unearthing of Their Lost and Loved Ones: Beckettian Ecologies and the
More-than-human Eye Luz María Sanchez (Universitat Oberta de
Catalunya/Kunstakademiet, University of Bergen) 16. "Toute cette question
du climat": The More-than-Human World in Beckett's Trilogy Michael Cronin
(Trinity College Dublin) 17. Ecological Crises and Local Manifestations in
Godot Aaya Kya Supriya Baijal (Trinity College Dublin) & Devika Mehra
(University of London) Section 3. "The earth is really tight today": The
Eco-dramaturgy of Happy Days 18. Samuel Beckett and Terrain Vague: Happy
Days, a Case Study Céline Thobois-Gupta (Trinity College Dublin) 19.
"Shall I myself not melt perhaps in the end, or burn...": Samuel Beckett's
Happy Days in Times of Ecological Turmoil Konstantina Georgiadi (Institute
for Mediterranean Studies of the Foundation for Research and Technology)
20. Happy Days in Los Angeles: An Ecology of the Unhoused Katherine Weiss
(California State University) 21. Beckett's Haunting of the Landscape and
Language of Ireland Sarah Jane Scaife (Trinity College Dublin) 22. The
Eco-Scenography of Beckett sa Chreig: Laethanta Sona from Imagination to
Making to Monumentalizing Rosaleen Mayapril (University of Reading) 23.
Hybrid Bodies: A Hydro- and Eco-Feminist Reading of Company SJ's Beckett sa
Chreig: Laethanta Sona Zoë Tweed (University of Reading) 24. Conclusion:
'Coup de pousse' Céline Thobois-Gupta (Trinity College Dublin) & Nicholas
E. Johnson (Trinity College Dublin) Index
List of Illustrations Notes on Contributors Acknowledgements 01.
Introduction: All this, when will all this have been . just play?':
Situating Beckett and Ecology Céline Thobois-Gupta (Trinity College
Dublin), Trish McTighe (Queen's University Belfast) & Nicholas E. Johnson
(Trinity College Dublin) Part One. "The tree is pulled up and disappears in
flies" - Beckettian Ecologies: Epistemologies, Practices, Discourses 02.
Samuel Beckett's Theatre and Dark Ecology Chen Chang (Nanjing University)
03. A Dusty Coup from Argentina Noelia Billi (University of Buenos Aires)
04. "a specialist of neither more nor less importance than the other
specialists involved": Beckett's Collaborative Ecologies across Media Olga
Beloborodova (University of Antwerp), James Little (University of Cyprus) &
Pim Verhulst (University of Oxford) 05. Linguistic Ecologies: Reading
Samuel Beckett in Saudi Arabia Amjad Alshalan (King Saud University) 06.
Translating the Ecological Aspects of Beckett's Drama into Japanese Theatre
Yoshiko Takebe (Shujutsu University) 07. The Translator as Cultural
Mediator: The Tradaptation of Waiting for Godot for a Thai Buddhist
Ecosystem Chutima Maneewattana (Suan Sunandha Rajabhat University) 08.
Beckett and Televisual Ecosystems: Dramas of the Vast Wasteland Jonathan
Bignell (University of Reading) 09. Interview: Workshopping Beckett in
Algeria for the Streets of the World Mauricio Celedon (Teatro del Silencio)
& Céline Thobois-Gupta (Trinity College Dublin) Part 2. "and to think all
that is organic waste!" Beckett and the Anthropocene / Beckett in the
Anthropocene 10. Retrofitting Beckett: Synge, Druid Theatre, and Waiting
for Godot on Inis Meáin Patrick Lonergan (University of Galway) 11. "Old
Wall": Reading Endgame's Pictographs with Australian Indigenous Rock Art
Mark Byron (University of Sydney) 12. A Tree and a Stone in Waiting for
Godot: Precarity in Beckett Mariko Hori Tanaka (Aoyama Gakuin University)
13. Beckett to Gather the World? Martin Ambara (Laboratoire de théâtre de
Yaoundé) & Céline Thobois-Gupta (Trinity College Dublin) 14. Terra
Incognita: Beckett's Anthropo(s)cene in Contemporary Art Derval Tubridy
(Goldsmiths, University of London) 15. Rastreadoras Del Fuerte and The
Unearthing of Their Lost and Loved Ones: Beckettian Ecologies and the
More-than-human Eye Luz María Sanchez (Universitat Oberta de
Catalunya/Kunstakademiet, University of Bergen) 16. "Toute cette question
du climat": The More-than-Human World in Beckett's Trilogy Michael Cronin
(Trinity College Dublin) 17. Ecological Crises and Local Manifestations in
Godot Aaya Kya Supriya Baijal (Trinity College Dublin) & Devika Mehra
(University of London) Section 3. "The earth is really tight today": The
Eco-dramaturgy of Happy Days 18. Samuel Beckett and Terrain Vague: Happy
Days, a Case Study Céline Thobois-Gupta (Trinity College Dublin) 19.
"Shall I myself not melt perhaps in the end, or burn...": Samuel Beckett's
Happy Days in Times of Ecological Turmoil Konstantina Georgiadi (Institute
for Mediterranean Studies of the Foundation for Research and Technology)
20. Happy Days in Los Angeles: An Ecology of the Unhoused Katherine Weiss
(California State University) 21. Beckett's Haunting of the Landscape and
Language of Ireland Sarah Jane Scaife (Trinity College Dublin) 22. The
Eco-Scenography of Beckett sa Chreig: Laethanta Sona from Imagination to
Making to Monumentalizing Rosaleen Mayapril (University of Reading) 23.
Hybrid Bodies: A Hydro- and Eco-Feminist Reading of Company SJ's Beckett sa
Chreig: Laethanta Sona Zoë Tweed (University of Reading) 24. Conclusion:
'Coup de pousse' Céline Thobois-Gupta (Trinity College Dublin) & Nicholas
E. Johnson (Trinity College Dublin) Index
Introduction: All this, when will all this have been . just play?':
Situating Beckett and Ecology Céline Thobois-Gupta (Trinity College
Dublin), Trish McTighe (Queen's University Belfast) & Nicholas E. Johnson
(Trinity College Dublin) Part One. "The tree is pulled up and disappears in
flies" - Beckettian Ecologies: Epistemologies, Practices, Discourses 02.
Samuel Beckett's Theatre and Dark Ecology Chen Chang (Nanjing University)
03. A Dusty Coup from Argentina Noelia Billi (University of Buenos Aires)
04. "a specialist of neither more nor less importance than the other
specialists involved": Beckett's Collaborative Ecologies across Media Olga
Beloborodova (University of Antwerp), James Little (University of Cyprus) &
Pim Verhulst (University of Oxford) 05. Linguistic Ecologies: Reading
Samuel Beckett in Saudi Arabia Amjad Alshalan (King Saud University) 06.
Translating the Ecological Aspects of Beckett's Drama into Japanese Theatre
Yoshiko Takebe (Shujutsu University) 07. The Translator as Cultural
Mediator: The Tradaptation of Waiting for Godot for a Thai Buddhist
Ecosystem Chutima Maneewattana (Suan Sunandha Rajabhat University) 08.
Beckett and Televisual Ecosystems: Dramas of the Vast Wasteland Jonathan
Bignell (University of Reading) 09. Interview: Workshopping Beckett in
Algeria for the Streets of the World Mauricio Celedon (Teatro del Silencio)
& Céline Thobois-Gupta (Trinity College Dublin) Part 2. "and to think all
that is organic waste!" Beckett and the Anthropocene / Beckett in the
Anthropocene 10. Retrofitting Beckett: Synge, Druid Theatre, and Waiting
for Godot on Inis Meáin Patrick Lonergan (University of Galway) 11. "Old
Wall": Reading Endgame's Pictographs with Australian Indigenous Rock Art
Mark Byron (University of Sydney) 12. A Tree and a Stone in Waiting for
Godot: Precarity in Beckett Mariko Hori Tanaka (Aoyama Gakuin University)
13. Beckett to Gather the World? Martin Ambara (Laboratoire de théâtre de
Yaoundé) & Céline Thobois-Gupta (Trinity College Dublin) 14. Terra
Incognita: Beckett's Anthropo(s)cene in Contemporary Art Derval Tubridy
(Goldsmiths, University of London) 15. Rastreadoras Del Fuerte and The
Unearthing of Their Lost and Loved Ones: Beckettian Ecologies and the
More-than-human Eye Luz María Sanchez (Universitat Oberta de
Catalunya/Kunstakademiet, University of Bergen) 16. "Toute cette question
du climat": The More-than-Human World in Beckett's Trilogy Michael Cronin
(Trinity College Dublin) 17. Ecological Crises and Local Manifestations in
Godot Aaya Kya Supriya Baijal (Trinity College Dublin) & Devika Mehra
(University of London) Section 3. "The earth is really tight today": The
Eco-dramaturgy of Happy Days 18. Samuel Beckett and Terrain Vague: Happy
Days, a Case Study Céline Thobois-Gupta (Trinity College Dublin) 19.
"Shall I myself not melt perhaps in the end, or burn...": Samuel Beckett's
Happy Days in Times of Ecological Turmoil Konstantina Georgiadi (Institute
for Mediterranean Studies of the Foundation for Research and Technology)
20. Happy Days in Los Angeles: An Ecology of the Unhoused Katherine Weiss
(California State University) 21. Beckett's Haunting of the Landscape and
Language of Ireland Sarah Jane Scaife (Trinity College Dublin) 22. The
Eco-Scenography of Beckett sa Chreig: Laethanta Sona from Imagination to
Making to Monumentalizing Rosaleen Mayapril (University of Reading) 23.
Hybrid Bodies: A Hydro- and Eco-Feminist Reading of Company SJ's Beckett sa
Chreig: Laethanta Sona Zoë Tweed (University of Reading) 24. Conclusion:
'Coup de pousse' Céline Thobois-Gupta (Trinity College Dublin) & Nicholas
E. Johnson (Trinity College Dublin) Index