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This study explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work.

Produktbeschreibung
This study explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work.
Autorenporträt
Hannah Simpson is the Rosemary Pountney Junior Research Fellow at St Anne's College, University of Oxford. She is also the Theatre Review Editor at The Beckett Circle.