This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Conor Carville is Associate Professor in English and Creative Writing at the University of Reading. His book The Ends of Ireland: Criticism, History, Subjectivity appeared in 2012 and a volume of poetry, Harm's Way, was published in 2013. His writing on art has appeared in Frieze and Circa.
Inhaltsangabe
Introduction: Beckett and the image 1. A poetics of the image: Paris and Dublin 1929-1932 2. The politics of the image: Dublin, Paris, London 1931-1936 3. Beckett's German Renaissance 4. 'Terrifying materiality': Watteau, Yeats, Picasso, Duchamp 5. Impossible image: Watt and failed ekphrasis 6. From Bram van Velde to The Unnamable 7. 'Sordid abstraction': prose, plays, paintings.
Introduction: Beckett and the image 1. A poetics of the image: Paris and Dublin 1929-1932 2. The politics of the image: Dublin, Paris, London 1931-1936 3. Beckett's German Renaissance 4. 'Terrifying materiality': Watteau, Yeats, Picasso, Duchamp 5. Impossible image: Watt and failed ekphrasis 6. From Bram van Velde to The Unnamable 7. 'Sordid abstraction': prose, plays, paintings.
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