Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Notes on contributors Permissions and acknowledgements Chronology List of abbreviations Introduction Anthony Uhlmann Part I. Landscapes and Formation: 1. Childhood and Portora Russell Smith 2. Dublin and environs John Pilling 3. Trinity College Dublin S. E. Gontarski 4. L'Ecole Normale Anthony Cordingley 5. Paris, Roussillon, Ussy Jean-Michel Rabaté Part II. Social and Political Contexts: 6. Ireland: 1906-45 Patrick Bixby 7. France: 1928-39 Garin Dowd 8. England: 1933-6 Peter Marks 9. Germany: c.1936-7 Mark Nixon 10. France: World War Two Lois Gordon 11. France, Europe, the world: 1945-62 Julian Murphet Part III. Milieus and Movements: 12. Modernism: Dublin/Paris/London Paul Sheehan 13. The Joyce circle Sam Slote 14. Post-World War Two Paris Shane Weller 15. Staging plays Anthony Uhlmann 16. Working on radio Urlika Maude 17. Working on film and television Graley Herren Part IV. 'The Humanities I Had': Literature: 18. Irish literature Seán Kennedy 19. English literature Mark Byron 20. French literature Angela Moorjani 21. Italian literature Daniela Caselli Part V. 'The Humanities I Had': Arts: 22. Visual arts Nico Israel 23. Music Catherine Laws 24. Cinema Matthijs Engelberts 25. Popular culture Jane Goodall Part VI. 'The Humanities I Had': Systems of Knowledge and Belief: 26. Philosophy Matthew Feldman 27. Psychology Laura Salisbury 28. The Bible Chris Ackerley 29. The occult Minako Okamuro 30. Science and mathematics Hugh Culik Part VII. Language and Form: 31. Language and representation Daniel Katz 32. Self-translation Corinne Scheiner 33. Theatre forms Enoch Brater Part VIII. Reception and Remains: 34. Initial reception James Gourley 35. Influence Michael D'Arcy 36. Notebooks and other manuscripts Dirk Van Hulle 37. Letters Lois Overbeck.
Notes on contributors Permissions and acknowledgements Chronology List of abbreviations Introduction Anthony Uhlmann Part I. Landscapes and Formation: 1. Childhood and Portora Russell Smith 2. Dublin and environs John Pilling 3. Trinity College Dublin S. E. Gontarski 4. L'Ecole Normale Anthony Cordingley 5. Paris, Roussillon, Ussy Jean-Michel Rabaté Part II. Social and Political Contexts: 6. Ireland: 1906-45 Patrick Bixby 7. France: 1928-39 Garin Dowd 8. England: 1933-6 Peter Marks 9. Germany: c.1936-7 Mark Nixon 10. France: World War Two Lois Gordon 11. France, Europe, the world: 1945-62 Julian Murphet Part III. Milieus and Movements: 12. Modernism: Dublin/Paris/London Paul Sheehan 13. The Joyce circle Sam Slote 14. Post-World War Two Paris Shane Weller 15. Staging plays Anthony Uhlmann 16. Working on radio Urlika Maude 17. Working on film and television Graley Herren Part IV. 'The Humanities I Had': Literature: 18. Irish literature Seán Kennedy 19. English literature Mark Byron 20. French literature Angela Moorjani 21. Italian literature Daniela Caselli Part V. 'The Humanities I Had': Arts: 22. Visual arts Nico Israel 23. Music Catherine Laws 24. Cinema Matthijs Engelberts 25. Popular culture Jane Goodall Part VI. 'The Humanities I Had': Systems of Knowledge and Belief: 26. Philosophy Matthew Feldman 27. Psychology Laura Salisbury 28. The Bible Chris Ackerley 29. The occult Minako Okamuro 30. Science and mathematics Hugh Culik Part VII. Language and Form: 31. Language and representation Daniel Katz 32. Self-translation Corinne Scheiner 33. Theatre forms Enoch Brater Part VIII. Reception and Remains: 34. Initial reception James Gourley 35. Influence Michael D'Arcy 36. Notebooks and other manuscripts Dirk Van Hulle 37. Letters Lois Overbeck.
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