Between 1929 and 1949 Beckett wrote a number of essays, notes and reviews. Though this early work may seem minor, there nevertheless emerges from it a consistent artistic theory concerned with the relationship between art and the limits of human knowledge. The fascinating variety of ways in which Beckett put theory into practice in his early fiction from Dream of Fair to Middling Women to The Unnamable, and in his drama from Waiting for Godot to What Where, forms the subject of this book.
Between 1929 and 1949 Beckett wrote a number of essays, notes and reviews. Though this early work may seem minor, there nevertheless emerges from it a consistent artistic theory concerned with the relationship between art and the limits of human knowledge. The fascinating variety of ways in which Beckett put theory into practice in his early fiction from Dream of Fair to Middling Women to The Unnamable, and in his drama from Waiting for Godot to What Where, forms the subject of this book.
Preface - Acknowledgements - Towards a Theory of Art - Belacqua - Murphy's Metaphysics - Watt and the Gentle Skimmer - The Transition to French - The Art of Failure: Molloy, Malone Dies, The Unnamable - First Plays for the Stage - Stage, Screen and Radio: Not I, Film and All That Fall - The Shape of Ideas: That Time - Last Plays for the Stage - Index
Preface - Acknowledgements - Towards a Theory of Art - Belacqua - Murphy's Metaphysics - Watt and the Gentle Skimmer - The Transition to French - The Art of Failure: Molloy, Malone Dies, The Unnamable - First Plays for the Stage - Stage, Screen and Radio: Not I, Film and All That Fall - The Shape of Ideas: That Time - Last Plays for the Stage - Index
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