In the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett's work, with a specific focus on the Twentieth Century.
In the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett's work, with a specific focus on the Twentieth Century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michela Bariselli is a Lecturer in Philosophy in the Department of Philosophy, University of Reading. Davide Crosara is a Research Fellow in English Literature at the University of Rome, Sapienza. Antonio Gambacorta is a translator and a literary scholar with a PhD from the University of Reading. Mario Martino is Professor of English Literature at the University of Rome, Sapienza.
Inhaltsangabe
Part 1 Beckett and Italian Interwar Culture 1. Beckett's Dystopian Trilogy, Part I: Lucky's 'Cerebral Physiology' and the Irrelevance of Godot 2. Leopardi in Beckett's Late Modernist Romanticism 3. Mirror Acts: Dramatic Form in Pirandello's Six Characters in Search of an Author and Beckett's Waiting for Godot Part 2 Beckett, Modernism and Tradition: Absurdism and Purgatorial Shadows 4. Analogymongering: Dante and Vico in Beckett 5. 'Denti Alligator' or 'Airtight Alligator': Reading Dante with Joyce and Beckett 6. Beckett and Ariosto: Nominalist Irony, 'Perhaps' 7. Beckett's Kickoff: Orlando Furioso as Theatre of the Absurd Part 3 Beckett, Italian Modernism and Late Modernism: Theatre, Intermediality and Testimony 8. Samuel Beckett and Italian Culture: From Dantesque Scenarios to the Theatre Scene of the 2000s 9. Samuel Beckett's Not I - Purgatorially Merciful? 10. 'A Theatre of Concrete Visual Images [...], a Theatre of Poetic Images': The Staging of Neither by the Italian VideöArt Group Studio Azzurro 11. 'Company': Beckett, Tabucchi, and Testimony
Part 1 Beckett and Italian Interwar Culture 1. Beckett's Dystopian Trilogy, Part I: Lucky's 'Cerebral Physiology' and the Irrelevance of Godot 2. Leopardi in Beckett's Late Modernist Romanticism 3. Mirror Acts: Dramatic Form in Pirandello's Six Characters in Search of an Author and Beckett's Waiting for Godot Part 2 Beckett, Modernism and Tradition: Absurdism and Purgatorial Shadows 4. Analogymongering: Dante and Vico in Beckett 5. 'Denti Alligator' or 'Airtight Alligator': Reading Dante with Joyce and Beckett 6. Beckett and Ariosto: Nominalist Irony, 'Perhaps' 7. Beckett's Kickoff: Orlando Furioso as Theatre of the Absurd Part 3 Beckett, Italian Modernism and Late Modernism: Theatre, Intermediality and Testimony 8. Samuel Beckett and Italian Culture: From Dantesque Scenarios to the Theatre Scene of the 2000s 9. Samuel Beckett's Not I - Purgatorially Merciful? 10. 'A Theatre of Concrete Visual Images [...], a Theatre of Poetic Images': The Staging of Neither by the Italian VideöArt Group Studio Azzurro 11. 'Company': Beckett, Tabucchi, and Testimony
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