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From one of the "true originals of contemporary American short fiction" ("San Francisco Chronicle") comes this crystalline collection of investigations into the ways in which human being perceive each other and themselves. An ALA Notable Book of the Year.
The author of Almost No Memory presents an inventive collection of short fiction that explores the various ways in which human beings perceive each other and themselves, from a couple that suspects their friends think them boring to a funeral home that receives a letter rebuking it for linguistic errors.

Produktbeschreibung
From one of the "true originals of contemporary American short fiction" ("San Francisco Chronicle") comes this crystalline collection of investigations into the ways in which human being perceive each other and themselves. An ALA Notable Book of the Year.
The author of Almost No Memory presents an inventive collection of short fiction that explores the various ways in which human beings perceive each other and themselves, from a couple that suspects their friends think them boring to a funeral home that receives a letter rebuking it for linguistic errors.
Autorenporträt
Lydia Davis is the author of Essays One, a collection of essays on writing, reading, art, memory, and the Bible. She is also the author of The End of the Story: A Novel and many story collections, including Varieties of Disturbance, a finalist for the 2007 National Book Award for Fiction; Can¿t and Won¿t (2014); and The Collected Stories of Lydia Davis, described by James Wood in The New Yorker as ¿a grand cumulative achievement.¿ Davis is also the acclaimed translator of Swann¿s Way and Madame Bovary, both awarded the French-American Foundation Translation Prize, and of many other works of literature. She has been named both a Chevalier and an Officier of the Order of Arts and Letters by the French government, and in 2020 she received the PEN/Malamud Award for Excellence in the Short Story.