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SamulNori is a percussion quartet that has given rise to a genre, of the same name, which is arguably Korea's most successful 'traditional' music of recent times. Today, there are dozens of amateur and professional samulnori groups.There is a canon of samulnori pieces, closely associated with the first founding quartet but played by all, and many creative evolutions on the basic themes, made by the rapidly growing number of virtuosic percussionists. This volume explores this vibrant percussion genre, charting its origins and development, the formation of the canon of pieces, teaching and…mehr

Produktbeschreibung
SamulNori is a percussion quartet that has given rise to a genre, of the same name, which is arguably Korea's most successful 'traditional' music of recent times. Today, there are dozens of amateur and professional samulnori groups.There is a canon of samulnori pieces, closely associated with the first founding quartet but played by all, and many creative evolutions on the basic themes, made by the rapidly growing number of virtuosic percussionists. This volume explores this vibrant percussion genre, charting its origins and development, the formation of the canon of pieces, teaching and learning strategies, new evolutions, and current questions relating to maintaining, developing, and sustaining samulnori in the future.
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Autorenporträt
Keith Howard is Professor of Music at SOAS, University of London. Formerly Associate Dean at the University of Sydney, he has held visiting professorships at Monash University, Ewha Women's University and Hanguk University of Foreign Studies. He has written and edited 19 books, including Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions (2012), Singing the Kyrgyz Manas (with Saparbek Kasmambetov, 2011), Korean Kayagum Sanjo: A Traditional Instrumental Genre (with Chaesuk Lee and Nicholas Casswell; 2008), Creating Korean Music (2006), Preserving Korean Music (2006), and Korean Pop Music: Riding the Wave (2006).