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Originally published in 2003 Santerà a Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.
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Originally published in 2003 Santerà a Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.
Produktdetails
- Produktdetails
- Routledge Revivals
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 454
- Erscheinungstermin: 30. November 2022
- Englisch
- Abmessung: 216mm x 232mm x 36mm
- Gewicht: 1168g
- ISBN-13: 9780367332198
- ISBN-10: 0367332191
- Artikelnr.: 63427085
- Routledge Revivals
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 454
- Erscheinungstermin: 30. November 2022
- Englisch
- Abmessung: 216mm x 232mm x 36mm
- Gewicht: 1168g
- ISBN-13: 9780367332198
- ISBN-10: 0367332191
- Artikelnr.: 63427085
David H. Brown
List of Illustrations Preface Acknowledgements Introduction Part I:
Institutional and Ritual Innovation 1. Black Royalty: New Social Frameworks
and Remodeled Iconographies in Nineteenth-Century Havana 2. From Cabildo de
Nacíon to Casa-Templo: The New Lucumí, Institutional Reform, and the
Shifting Location of Cultural Authenticity 3. Myths of the Yoruba Past and
Innovations of the Lucumí Present: The Narrative Production of Cosmology,
Authority, and Ritual Variation Part II: Iconographic Innovation 4. Royal
Iconography and the Modern Lucumí Initiation 5. "The Palace of the Obá
Lucumí" and the "Creole Taste": Innovations in Iconography and Meaning
Conclusion Appendix 1: Fredrika Bremer's Description of a Sunday Afternoon
Drumming in a Havana Lucumí Calbido, 1853 Appendix 2: Irene Wright's
Description of Her Visit to "African Cabildo" in El Cerro, 1910 Appendix 3:
The "Regular" Ifá-Centric Initiation versus the Ocha-Centric Initiation
Appendix 4: The Oriate's Counternarrative to Ifa-Centric Ocha Practive
Appendix 5: Calendar of Oricha and Saint Feasts Days Appendix 6: Oral Data
from Fieldwork: Interviews, Personal Communications and Correspondence
Notes Glossary Works Cited Index
Institutional and Ritual Innovation 1. Black Royalty: New Social Frameworks
and Remodeled Iconographies in Nineteenth-Century Havana 2. From Cabildo de
Nacíon to Casa-Templo: The New Lucumí, Institutional Reform, and the
Shifting Location of Cultural Authenticity 3. Myths of the Yoruba Past and
Innovations of the Lucumí Present: The Narrative Production of Cosmology,
Authority, and Ritual Variation Part II: Iconographic Innovation 4. Royal
Iconography and the Modern Lucumí Initiation 5. "The Palace of the Obá
Lucumí" and the "Creole Taste": Innovations in Iconography and Meaning
Conclusion Appendix 1: Fredrika Bremer's Description of a Sunday Afternoon
Drumming in a Havana Lucumí Calbido, 1853 Appendix 2: Irene Wright's
Description of Her Visit to "African Cabildo" in El Cerro, 1910 Appendix 3:
The "Regular" Ifá-Centric Initiation versus the Ocha-Centric Initiation
Appendix 4: The Oriate's Counternarrative to Ifa-Centric Ocha Practive
Appendix 5: Calendar of Oricha and Saint Feasts Days Appendix 6: Oral Data
from Fieldwork: Interviews, Personal Communications and Correspondence
Notes Glossary Works Cited Index
List of Illustrations Preface Acknowledgements Introduction Part I:
Institutional and Ritual Innovation 1. Black Royalty: New Social Frameworks
and Remodeled Iconographies in Nineteenth-Century Havana 2. From Cabildo de
Nacíon to Casa-Templo: The New Lucumí, Institutional Reform, and the
Shifting Location of Cultural Authenticity 3. Myths of the Yoruba Past and
Innovations of the Lucumí Present: The Narrative Production of Cosmology,
Authority, and Ritual Variation Part II: Iconographic Innovation 4. Royal
Iconography and the Modern Lucumí Initiation 5. "The Palace of the Obá
Lucumí" and the "Creole Taste": Innovations in Iconography and Meaning
Conclusion Appendix 1: Fredrika Bremer's Description of a Sunday Afternoon
Drumming in a Havana Lucumí Calbido, 1853 Appendix 2: Irene Wright's
Description of Her Visit to "African Cabildo" in El Cerro, 1910 Appendix 3:
The "Regular" Ifá-Centric Initiation versus the Ocha-Centric Initiation
Appendix 4: The Oriate's Counternarrative to Ifa-Centric Ocha Practive
Appendix 5: Calendar of Oricha and Saint Feasts Days Appendix 6: Oral Data
from Fieldwork: Interviews, Personal Communications and Correspondence
Notes Glossary Works Cited Index
Institutional and Ritual Innovation 1. Black Royalty: New Social Frameworks
and Remodeled Iconographies in Nineteenth-Century Havana 2. From Cabildo de
Nacíon to Casa-Templo: The New Lucumí, Institutional Reform, and the
Shifting Location of Cultural Authenticity 3. Myths of the Yoruba Past and
Innovations of the Lucumí Present: The Narrative Production of Cosmology,
Authority, and Ritual Variation Part II: Iconographic Innovation 4. Royal
Iconography and the Modern Lucumí Initiation 5. "The Palace of the Obá
Lucumí" and the "Creole Taste": Innovations in Iconography and Meaning
Conclusion Appendix 1: Fredrika Bremer's Description of a Sunday Afternoon
Drumming in a Havana Lucumí Calbido, 1853 Appendix 2: Irene Wright's
Description of Her Visit to "African Cabildo" in El Cerro, 1910 Appendix 3:
The "Regular" Ifá-Centric Initiation versus the Ocha-Centric Initiation
Appendix 4: The Oriate's Counternarrative to Ifa-Centric Ocha Practive
Appendix 5: Calendar of Oricha and Saint Feasts Days Appendix 6: Oral Data
from Fieldwork: Interviews, Personal Communications and Correspondence
Notes Glossary Works Cited Index