Leading scholars explore the work of Sarah Waters from a full range of critical perspectives. Includes a new interview with the author.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kaye Mitchell is Lecturer in Contemporary Literature in the Centre for New Writing at the University of Manchester, UK. She is the author of A. L Kennedy (Palgrave 2007) and Intention and Text (Continuum, 2008).
Inhaltsangabe
Foreword: Adapting Sarah Waters Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters Kaye Mitchell (University of Manchester UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day Susan Alice Fischer (CUNY USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity Rebecca Pohl (University of Manchester UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles Sarah Gamble (Swansea University UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel Jerome de Groot (University of Manchester UK) Chapter 5: 'Possibility pleasure and peril': The Night Watch as a Very Literary History Natasha Alden (Aberystwyth University UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch Kaye Mitchell (University of Manchester UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger Emma Parker (Leicester University UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger Monica Germanà (University of Westminster UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters Kaye Mitchell (University of Manchester UK) References Further Reading Index
Foreword: Adapting Sarah Waters Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters Kaye Mitchell (University of Manchester UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day Susan Alice Fischer (CUNY USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity Rebecca Pohl (University of Manchester UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles Sarah Gamble (Swansea University UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel Jerome de Groot (University of Manchester UK) Chapter 5: 'Possibility pleasure and peril': The Night Watch as a Very Literary History Natasha Alden (Aberystwyth University UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch Kaye Mitchell (University of Manchester UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger Emma Parker (Leicester University UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger Monica Germanà (University of Westminster UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters Kaye Mitchell (University of Manchester UK) References Further Reading Index
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