This book presents a modification of the dialectical method of Jean-Paul Sartre as a tool for critical discourse on aesthetic experience. Three practical demonstrations are offered of the modified progressive-regressive method: (1) on the original location and function of a medieval altarpiece, (2) on a theme in the literature of the Marquis de Sade, and (3) on a theory of consciousness in a novel by Samuel Beckett. The study concludes with guidelines on how the method may enhance critical discourse in teaching.
Contents: Foreword by E.F. Kaelin. Acknowledgments. ONE Introduction. PART ONE: THEORY. TWO Sartre's "Progressive-Regressive Method". THREE Modifications of the Method. PART TWO: PRACTICE. FOUR The Original Location and Function of Simone Martini's Annunciation Altarpiece. FIVE Violence and Différance in the Literature of the Marquis de Sade. SIX Discourse, Disclosedness, and Fractal Dasein in Samuel Beckett's How It Is. SEVEN Conclusion. References. About the Author. Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Contents: Foreword by E.F. Kaelin. Acknowledgments. ONE Introduction. PART ONE: THEORY. TWO Sartre's "Progressive-Regressive Method". THREE Modifications of the Method. PART TWO: PRACTICE. FOUR The Original Location and Function of Simone Martini's Annunciation Altarpiece. FIVE Violence and Différance in the Literature of the Marquis de Sade. SIX Discourse, Disclosedness, and Fractal Dasein in Samuel Beckett's How It Is. SEVEN Conclusion. References. About the Author. Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.