Satchmo Meets Amadeus
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Satchmo Meets Amadeus examines the close encounters between classical music, the soundtrack of the Europeanization of the world, and jazz, the classical music of globalization. This collection of essays by renowned experts in the history of European and American music, African American culture, international cultural encounters, the political, economic, and cultural histories of New Orleans and Salzburg, the political exploitation of music during the eras of National Socialism and the Cold War, the economic utilization of art by music and tourism industries, bypasses the artificial crevice bet...
Satchmo Meets Amadeus examines the close encounters between classical music, the soundtrack of the Europeanization of the world, and jazz, the classical music of globalization. This collection of essays by renowned experts in the history of European and American music, African American culture, international cultural encounters, the political, economic, and cultural histories of New Orleans and Salzburg, the political exploitation of music during the eras of National Socialism and the Cold War, the economic utilization of art by music and tourism industries, bypasses the artificial crevice between classical music and jazz, the new world and the old. Satchmo Meets Amadeus analyzes the cultural, economic, social, and political structures shaping or hindering the creation of music as well as the construction of popular images and myths about (and against) these seminal musical figures - in short, the creation of Satchmo(TM) and Amadeus(TM) - from the 18th to the beginning of the 21st century.
