Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations Preface Acknowledgments Abbreviations Chronology Some descriptions of Satie 1. Satie's career as a composer: some interpretations 2. Why and where Satie composed 3. Parody, pastiche, quotation and the question of influence 4. Satie and Debussy 5. Satie's compositional aesthetic 6. Satie, counterpoint and the Schola Cantorum 7. Orchestration versus instrumentation 8. Questions of form, logic and the mirror image 9. Compositional systems and other sources of inspiration 10. Composition and the other arts 11. Satie on other composers 12. Satie and the wider world Appendix: chronological catalogue of Satie's compositions Notes Select bibliography Index of Satie's works General index.
List of illustrations Preface Acknowledgments Abbreviations Chronology Some descriptions of Satie 1. Satie's career as a composer: some interpretations 2. Why and where Satie composed 3. Parody, pastiche, quotation and the question of influence 4. Satie and Debussy 5. Satie's compositional aesthetic 6. Satie, counterpoint and the Schola Cantorum 7. Orchestration versus instrumentation 8. Questions of form, logic and the mirror image 9. Compositional systems and other sources of inspiration 10. Composition and the other arts 11. Satie on other composers 12. Satie and the wider world Appendix: chronological catalogue of Satie's compositions Notes Select bibliography Index of Satie's works General index.
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