Satirical Apocalypse - Cook, Jonathan
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This valuable new addition to Melville studies offers a ground-breaking interpretation of Melville's last published novel, one of the most complex texts in American literature and a work that has long been noted for the divergent critical views it has elicited. Reading the novel as a generic hybrid of narrative satire and apolyptic vision, Cook situates the novel in its implicit theological, historical, and biographical contexts: he examines the novel's relation to Melville's heterodox ideas of the deity, to the increasingly commercialized cultural milieu of antebellum America, and to…mehr

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Produktbeschreibung
This valuable new addition to Melville studies offers a ground-breaking interpretation of Melville's last published novel, one of the most complex texts in American literature and a work that has long been noted for the divergent critical views it has elicited. Reading the novel as a generic hybrid of narrative satire and apolyptic vision, Cook situates the novel in its implicit theological, historical, and biographical contexts: he examines the novel's relation to Melville's heterodox ideas of the deity, to the increasingly commercialized cultural milieu of antebellum America, and to Melville's own life and literary career. Uncovering a wealth of new data on the novel's satirical applications, including its covert use of Melville's friends and family for character models, Cook offers a compelling reading of The Confidence-Man - one that is sure to influence our future conception of its creator.
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Autorenporträt
Jonathan Cook is a former staff journalist for the Guardian and Observer newspapers. He is the author of Israel and the Clash of Civilisations (Pluto, 2008), A Doctor in Galilee (Pluto, 2006) and Blood and Religion: The Unmasking of the Jewish and Democratic State (Pluto, 2006). He has also written for The Times, Le Monde diplomatique, International Herald Tribune, Al-Ahram Weekly and Aljazeera.net. He is based in Nazareth.