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Scapegoat, by T.K. Lee, is his second collection of poetry, and in it, Lee continues deepening his artistic voice by centering the same unnamed narrator, introduced in his first collection, in more intimate and recognizable moments of vulnerability: Having Love and Having Loved. Far from what one might call love poetry, Lee effectively teases out the traditional tropes in this second collection, branching into experimental forms, at times. Yet, even in his playful and innovative approaches, he doesn't allow his subject to grow maudlin or overly sentimental, The poems in Scapegoat thematically…mehr

Produktbeschreibung
Scapegoat, by T.K. Lee, is his second collection of poetry, and in it, Lee continues deepening his artistic voice by centering the same unnamed narrator, introduced in his first collection, in more intimate and recognizable moments of vulnerability: Having Love and Having Loved. Far from what one might call love poetry, Lee effectively teases out the traditional tropes in this second collection, branching into experimental forms, at times. Yet, even in his playful and innovative approaches, he doesn't allow his subject to grow maudlin or overly sentimental, The poems in Scapegoat thematically ebb and flow, catching and releasing the reader along with the narrator, as he struggles to learn the hardest truth of natural law: That to fully live, one must finally leave...whether that may mean a job, a home, or a marriage. Which he does, in each case, and fails, each time, and like the prodigal son, he gives in and returns to his childhood home, resigned at last to wait it out, until something becomes familiar again. But Fate is waiting for him there, to make sure he doesn't miss the bigger lesson: That giving in is not the same as giving up.
Autorenporträt
T.K. LEE is an award-winning member of the Dramatists Guild of America, the Society for Stage Directors and Choreographers, and the Association of Writers and Writing Programs, among others. In addition to poetry and drama, he has also crafted prize-winning short fiction and is core faculty in the nationally ranked MFA programs in Creative Writing as well as in Theatre Education, at the historic Mississippi University for Women, the nation's first public academic institution for women, in Columbus, Mississippi.