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Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte PerkinsGilman, as well as by authors almost wholly unknown to twenty-firstcentury readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Scare Tactics analyzes this overlooked tradition of supernatural writing by American women as an essentially feminist enterprise. These authors repeatedly used Gothic conventions to express discontentment with…mehr

Produktbeschreibung
Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte PerkinsGilman, as well as by authors almost wholly unknown to twenty-firstcentury readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Scare Tactics analyzes this overlooked tradition of supernatural writing by American women as an essentially feminist enterprise. These authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women and to imagine alternative possibilities. Therefore, this body of literature proves to be a type of political intervention connected to the broader sphere of women's rights activism.
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Autorenporträt
Jeffrey Andrew Weinstock is Professor of English at Central Michigan University and associate editor in charge of horror for the Los Angeles Review of Books. His most recent books include Giving the Devil His Due: Satan and Cinema (with Regina Hansen, Fordham, 2021), The Monster Theory Reader (University of Minnesota Press, 2020), and The Cambridge Companion to the American Gothic (Cambridge University Press, 2018). Visit him at JeffreyAndrewWeinstock.com.